Author Archives: storytellergirlgrace

5 Types of Books to Make You a Better Writer

Posted in Writings about Writing by

Some time ago I wrote a guest post about five books that have helped me as a writer. In this post, I want to discuss five types of books (as opposed to specific titles) that I believe can help you become a better writer.

A craft of writing book

This is one category that I need to work on more. I’ve read a few books on the craft of writing, but it’s something that even the best authors can always get better at. If you want to get better at writing, then constantly writing is important – but a how-to writing book can help you strengthen your writing strengths, adjust your weaknesses, and point out mistakes you didn’t even realize you were making.

A people skills book

You know those self-help books about different personality types or how to get along with other people? Those are actually really useful. Even though most of us writers are introverts who would rather just not deal with people at all thank you very much, the truth is that we do have to deal with people. Family, co-workers, and your readers – all are made up of people. Learning how not to alienate your fans or get stressed during a conversation can really make for a nice life.

And secondly, if you write any type of fiction, then – you guessed it – you’re writing about people. Even in more plot-driven genre fiction like sci-fi or epic fantasy, there are characters. Understanding how people work – especially those people who are not like you – can really help you add depth and realism to your characters.

A follow-your-dreams book

Go back to the self-help or inspirational section of the book store and get one of those upbeat books about never giving up on your dreams. Having the determination and the know-how to press through the doubts and rejections and keep going is ultimately more valuable than knowing how to properly punctuate. Writing can be a lonely and difficult thing. Hopefully you have a support network of other writers (whether a local writer’s group or an online forum), but you need to be able to encourage yourself, too.

A well-written book in your favorite genre

If you want to write good science fiction, then you should be reading good science fiction. If you want to write a cozy mystery, then read some good cozy mysteries so you know how to structure the story. This is probably not a difficult task for most writers, because you’re already reading books in your favorite genre, because it’s your favorite.

An important key here is the “well written” part. Don’t just grab the latest free ebook by a first-time author. This doesn’t mean that the book is bad or poorly written, but if your goal is to craft a well-written book, then you need a good example of one. You don’t necessarily have to go for a New York Times bestseller, but take the time to check the reviews, view a sample page, and maybe check the author’s track record or publishing history.

A well-written book in a genre you don’t usually read or write

Even if you’re a fantasy writer, and all you ever intend to write is high fantasy, you should still read the occasional mystery or sci-fi book or contemporary literature. Why? Because you can learn from everything. Character development, foreshadowing, proper sentence structure, proper dialogue tags, pacing – all of these elements that go into making a good story are important no matter the genre. Reading outside of your favorite genre can make you notice elements of storytelling or writing style that you might not have otherwise picked up on because your mind is stretching in a different way. There are excellent writers in every genre, and you might be missing out on some valuable writing tips (or even missing out on discovering your new favorite author) if you never branch out.

And see the previous point about the importance of using a well-written book, not just any old freebie or your teen cousin’s fan fiction. If your goal is to learn, then check your sources.

Do you have any favorite books that fall into one of these categories? Do you have another type of book that has helped you to grow as a writer?

The Nitty-Gritty of Writing: Style Sheets and Consistency

Posted in Writings about Writing by

Consistency counts for a lot, and can cover many writerly issues. This is not to say that if you’re a consistently bad speller, everything will be okay, because that’s not the case at all. And being a consistently bad storyteller will not put you on any best seller lists.

What I’m talking about here is perhaps better described as a “style sheet.” A style sheet is a set of notes for yourself – and perhaps for your editor, too – about how you are choosing to spell, punctuate, and capitalize certain things in your story.

Some examples:

Let’s say that you’re an American author, but you’re writing a book specifically for a European audience and you’re planning to submit to a British publisher. Because of this, you have made the personal decision to use British spellings: favour instead of favor, honour instead of honor, theatre instead of theater, etc. You’ll likely get a red underline in Word every time you type one of those words with an extra u, but for your purposes, it’s not a misspelling. Just make sure that you use those non-American spellings consistently throughout the entire work. Writing about the color of the honourable judge’s hair will just confuse everybody.

If you’re a fan of the Oxford comma (or serial comma), then make sure you use it in all instances that would warrant it. If you write “I ate beans, chicken, and corn bread,” then don’t neglect that second comma in a similarly-structured sentence later in the book. (Side note: I’m not advocating for or against the serial comma, or endorsing any particular style guide. Just pick your favorite and stick with it).

If you have a character named Sara at the beginning of the book, make sure that her name doesn’t change to Sarah halfway through. Or if the town is called Bellavista in the first chapter, it shouldn’t be Bella Vista in chapter two (unless the name change is part of the story).

Whether you’re adhering to the rules of a specific style guide or not, a personal style sheet can be a good idea to keep yourself consistent. An alert reader will notice inconsistencies – whether they’re big plot holes, or just little misspellings. But either way, inconsistency makes you come across as a sloppy or uncaring author, and no one wants that. So do yourself a favor, and make sure your writing is consistent.

Questions for Readers

Posted in Writings about Writing by

This post is a poll of sorts, and I really would love your feedback! (It’s only three questions, and you don’t have to answer them all, so don’t panic). These are few things that I’ve been mulling over lately as I’ve been working on my fantasy stories, and I’d really like to know what other people think about these things. My questions are directed mainly at readers of fantasy and related genres. I welcome feedback from readers (and writers!) of any genre, but fans of fantasy/sci-fi/paranormal would probably understand these questions best.

So, here we go:

Do you prefer one-shots, duology/trilogy, or series?

I’m not trying to find the “best” or even the most currently “marketable” length – I’m just genuinely curious what other people are reading. And I’m honestly not sure which one is my favorite. So what’s your preference?

Do you like to have foreign languages translated in the text, or just have it left up to the reader to figure out words from the context?

This isn’t really about conlangs (constructed languages, like Elvish or Klingon), although that could be a subject for a blog post all on its own. When a character is speaking in another language (one different from the point of view character’s primary language) I’ve seen several different methods used:

The writer puts the character’s dialogue in brackets instead of quotes – [I bring you my sword], said Vlen – to indicate the language change. Or—

The writer simply states the language switch: “I bring you my sword,” said Vlen in Elvish. Or—

The writer has constructed at least the basics of the language, and uses it, with or without a translation as part of the narrative: “Mdash nii hwena,” said Vlen. I bring you my sword.

Have you read books – or written books – using one of these methods? Or a different method? Do you have a favorite? What method of inserting other languages seems the most awkward or interrupts the flow of the story?

Do you love or hate a book with a glossary or appendix?

Many fantasy books have landscape maps or genealogical maps, often at the beginning of a book. But what about other stuff that might come at the end of a book, like a glossary of conlang terms, a pronunciation guide, or an appendix explaining a cultural history or technological specs? Do glossaries and appendices get you excited about learning “behind the scenes” stuff about the world of the book, or do you get bogged down because it feels like a textbook?

 

Thanks! I truly want to know what others think about these storytelling elements. I look forward to reading everyone’s answers!

5 Things You Should Know about Writing a Novel

Posted in Writings about Writing by

Even though I have not yet published a novel, I’ve written several full first drafts of novels. For the fantasy trilogy that is my current main project, I’m working on the third draft of the first book. Since I’ve completed more than a few full first drafts, I do feel qualified to talk about the work that is entailed in writing a novel from beginning to end.

So if you’ve started a novel, are thinking about writing a novel, or are wondering what the difference is between a novel and a short story, then I believe these five tips can help you:

Your NaNoWriMo novel is not ready for publication in December. Nor is any first draft ready for public consumption. See the first paragraph of this post for reference. Notice that I mention that I’m on my third draft of a novel. Even the best writer in the world goes through several drafts and rewrites. Also please note that tidying up a few spelling errors and run-on sentences does not qualify as a rewrite or second draft. If you want your finished novel to be publication-ready, then get feedback from some good critique partners or beta readers, go through several full rewrites, and then send it off to an editor. 

A novel is more than just a long short story. If you’re a master at writing short stories, then be prepared for an entirely different experience with writing a novel. Even if the core of an idea could work for either a short story or a novel, there’s a lot more to it than just padding out the word count of a 20,000 word short story to make it into a 80,000 word novel. In a novel, a plot can be much more complex, there are usually one or more subplots, more characters can be used, and there needs to be a greater variety of pacing. Also, even if you’re a pantser, writing a novel usually requires a bit more planning and outlining ahead of time than a short story might.

Know Your Genre. Yes, there are some wonderful cross-genre stories out there, and everybody wants to invent a new concept or spearhead a new trend. But if your book doesn’t have a clearly defined genre, you’ll have trouble finding your ideal readers, and book stores and ebook sites will have a hard time listing the book properly. Your genre can be something broad – fantasy, mystery, literary – or something very specific, like YA urban paranormal, historical cozy mystery, or women’s fiction. But pick a category, so that both you and your potential readers know what you’re writing.

There’s no “one right way” to do it. No, I’m not contradicting my previous three points. Some people outline out every scene before they get started, some just have a loose kernel of an idea and discover the story as they go along. Some write every scene in order, some jump around during the first draft stage. Some people use Word, some use Scrivener, some use pen and paper. Find what’s comfortable for you. If you’re not enjoying the process of novel writing, it will be that much harder to finish.

It’s a big commitment. This is perhaps the most important point of all. Whether you’re a NaNoWriMo winner who’s pounded out a full first draft in 30 days, or it’s taken you years to finish a draft, writing a novel takes commitment and dedication. Always remember that if you want to write a novel, no matter what your writing technique is or how long it takes, your goal should be to finish. Finishing takes guts, no doubt about it – but it’s something that anyone can do.

Would you add anything to this list?

Music Review: “Revitty Rakkaus,” Kuunkuiskaajat

Posted in Music Reviews, Music, Movies, and other Muses by

The Finnish folk-rock duo Kuunkuiskaajat has just released their second album, a crowd-funded project titled Revitty Rakkaus. I first started following the duo of Susan Aho and Johanna Hytti from their time with the band Värttinä.

For any Värttinä fans who haven’t heard Kuunkuiskaajat’s music yet, it’s well worth checking out. With a generally light and folksy sound, Susan and Johanna’s voices interweave like a dance, punctuated by Susan’s masterful accordion playing.

This album has perhaps a bit less of a “traditional” sound than their first album, as most of the tracks feature strong modern percussion. The upbeat tracks, like “Kaupungilla” and “Polttaa,” usually feature Susan as the lead vocal, while the slower, ballad-like tracks such as “Unelmaa” and “Elämä Kantaa” let Johanna’s voice shine.

In listening to this album, I was reminded that while Finland is usually grouped in with the rest of Scandinavia, musically they seem to belong more with Eastern Europe. To my Western-trained ear, tracks like “Salakavala” and the title track “Revitty Rakkaus” held the rhythms and sounds of Eastern lands. The entire album is a beautiful blending of East and West, and traditional and modern.

Whether you’re a fan of Värttinä, Eastern European folk music, or you can’t even find Finland on a map, I encourage you to give Kuunkuiskaajat a listen!

Kuunkuiskaajat’s website (in Finnish)

Kuunkuiskaajat on Facebook