One of my most popular posts on this blog lately has been this post about how to write technobabble. Apparently there are a lot of writers and creators out there who need tips and ideas on how to come up with convincing scientific or technological jargon that sounds real but isn’t.
So here are five tips to help you invent convincing technobabble words and concepts:
Do Some Scientific Research
The best technobabble has an element of truth or at least believability to it. If you’re writing an outer space adventure, then you should probably familiarize yourself with real astronomical terms and have a passing understanding of basic physics. If your spaceships are powered by cosmic strings, a lot of sci-fi readers will have a hard time buying the plausibility of that, despite your glowing technobabble terms. Continue reading
As you may know, I’m currently writing a historical fantasy series. It’s set in the 1920s, and the title character Mrs. Jones has assorted adventures; magic, a touch of the paranormal, and a lot of “futuristic” retro-technology are key elements in her world.
I wrote a post last year giving some tips on how to write convincing technobabble for science fiction stories. This blog post is in a similar vein – but it’s for writing “historical technobabble.”
“Retro-futurism” is technology or other sci-fi elements that might have existed in the past, but didn’t. And so, to offer some tips on how to write retro-futurism or historical sci-fi, I’m sending you over to a guest post I wrote on The Old Shelter blog.
Read on to find out all about Retrofuturism and Dieselpunk: How they Work in a 1920s Setting!
While I could write about this subject at most any time, I thought it would be appropriate now, while we’re still celebrating the 50 year anniversary of Star Trek. I’ve posted many times about the writing tips and techniques that I’ve learned from the sci-fi show Babylon 5, but since Star Trek was my first science fiction love, I thought it was high time I give it its due.
So here are five things, in no particular order, that Star Trek (mostly TNG, but really, all the series) has taught me about writing and storytelling:
The importance of supporting characters
Everybody loves the heroes of the story, but supporting and minor characters help round out the world. Whether your story has an ensemble main cast (like Star Trek) or just one main protagonist, you need other characters to serve specific roles and to provide more opportunities for interaction and character growth for your main characters. With a longer work (like a novel, a series of novels, or a TV show), you have the opportunity to expand on the minor characters that come and go, and turn some of them into recurring characters. Continue reading
I’m not sure who originally came up with the term “technobabble,” but I first encountered it in reference to Star Trek. Technobabble is a staple of a lot of science fiction: the “babbling” on about fictional science and fictional technology to get characters into and out of their fictional scrapes.
So what makes for good technobabble? It needs to be believable and convincing within the fictional world you’ve created, so here are some ideas:
Use real science
A standard sci-fi technique to fixing a problem. Picard knows what’s up.
One key element that makes science fiction different from fantasy is the science. Not that every sci-fi story has to be as full of real chemistry and mathematics as, say, The Martian. But science, and along with it, logic and a degree of realism, is part of what makes sci-fi different from magic-based fantasy stories.
Even if your story is set in the far future or in a different universe entirely, learn some basic scientific concepts that will feature in your story. If you’re writing a space adventure with lots of ships traveling around the galaxy, then familiarize yourself with the difference between a red giant star and a quasar. Even if the plot doesn’t hinge on that detail, you’ll likely have readers who do know the difference and might be upset that you have a colony of people living on a planet orbiting a quasar (hint – quasars aren’t stars, to begin with). Continue reading