One of the aspects of dieselpunk is the time period and associated aesthetics. The “punk” aspects of fantasy, the paranormal, high-tech gadgets, or alternate history blend with the “diesel” age—from about World War I to post-World War II/1950s era.
I chose the Roaring 20s for the setting of my dieselpunk series starring the enigmatic high-class adventurer Mrs. Jones. Why the Roaring 20s? Well, for the story I wanted to tell and the world I wanted to build, it seemed like the most ideal time period.
My main character Cornelia Jones is a wealthy, upper class woman who very much enjoys the privileges of her class. Fine clothes, dinner parties, and a house full of servants is what she expects out of life. She’s not arrogant or snobbish, but she is accustomed to luxury. The 1920s saw a booming economy and a world of people ready to put the grimness of the Great War behind them. For a character who loves the glamorous life, the Roaring 20s was an obvious choice for a setting. Continue reading
I’ve been diligently blogging for over five years. One post a week every week, only missing a handful of times over the course of several years. I’m proud of the discipline I learned, and happy about all the comments, followers, and connections I’ve gained. But over the past year or so, I’ve become much less diligent about that one post a week.
What was my reason? I got busy. I got distracted. And to be honest, I just got plain tired of blogging every week. Now before you ask—no, I’m not shutting down this blog and quitting the blogging scene. I’ve decided to return to regular blogging in 2019 because, after all, I am still a writer.
Anyway, I got to thinking about my options. Since I’d admitted to myself that I was sick of blogging, what should I do about it? I think there are several options for any writer if they’re ever faced with this realization—whether they’ve grown tired of blogging, tired of social media posting, or just plain tired of writing. None of the following options are right or wrong—I think each person needs to decide what is the best choice for them at that time. Consider your options, consider why you’re sick of blogging or writing, and consider what your ultimate goals are. Continue reading
So what do you read while you’re in the middle of a writing project? From my personal experience, and some research and reading of other blogs/articles on the topic, there seem to be several different schools of thought on this topic.
Read in your Genre
If you want to know what’s popular in the genre that you’re writing, then read some recent books. Learn about popular tropes, what current readers expect or enjoy out of that genre, average acceptable story length, and so on. After all, how can you expect to write a cozy mystery or a sword-and-sorcery tale if you’ve never read one (or a few) before? Continue reading
If you’re new (or even not so new) to the world of writing, you may have discovered that us writerly folks have our own jargon. Even if you’re not a writer, if you’re an avid reader you’ve probably associated with enough writers (and/or literary critics) to have heard some odd terms being tossed about. So I thought I’d help you out with this small starter list of writerly words and abbreviations. This is by no means a comprehensive glossary – I’ve just tried to pick some of the most common or weird-sounding terms.
This stands for Work in Progress. A short story in its first draft or a novel in its third draft is a WIP if it’s unpublished and the author is still working on it.
MC stands for Main Character. There are a lot of other terms to define character types (like protagonist, anti-hero) and one of these may or may not be the main character. But if you’re reading about a writer or a book and you see “MC,” it just means Main Character.
Mary Sue (or Gary Stu)
This is a character that is “too perfect.” A Mary Sue character is often super-model beautiful, multi-talented and excels at everything without trying hard, is loved by everyone, and makes few or no mistakes. A Mary Sue (or Gary Stu for a male character) frequently is an idealized version of the author, and the story can read like a contrived excuse to showcase the author’s perfect fantasies. Continue reading
Someone asked me recently about where a writer should draw the line between explaining something in painstaking detail versus just glossing over a topic and letting the reader try to figure it out on their own. It’s a complex question, really, and there isn’t a one-size-fits-all answer.
What was really interesting, though, was that right on the heels of this question, I had an experience in my critique group that not only did NOT answer that question, but highlighted how there truly isn’t a right or wrong answer.
First off, let me say that I absolutely love all of my critique partners, and our times together are full of valuable feedback, learning experiences, and lots of fun. One of the elements that makes a good critique group, I think, is having a diverse group of writers who all have different writing styles, favorite genres, and writing experiences. Continue reading
Writers tend to think in metaphors, and have a penchant for turning non-literary stuff into something literary. And so because of that, a great many non-writing things in life can be held up as useful for the writing life.
I have recently begun taking square dancing lessons (you may laugh if you wish). I live in a small town, and square dancing is a big thing here. And with good reason – it’s a fun, family-friendly activity that people of all ages can do together, and it’s good exercise. I’m really enjoying it, and I’m learning a lot. And, because I’m a writer, I’m applying it to my writing life, too.
Dancing/Writing is not a Solitary Activity
While square dancing requires a minimum of eight people, writing tends to be something that one does all alone. And while it’s true that the act of writing is a solitary venture, getting a publishable book into the world is not. Ideally, a writer has critique partners or beta readers, an editor, perhaps a cover designer, and of course readers. Continue reading