I recently wrote a post about seeing the details. Details add richness and flavor to stories and to life.
Along those same lines, seeing the big picture is just as important. Where I’m living now in north Idaho, everything is big: the trees, the mountains, and especially the sky.
Many people ask me where I get my ideas. That’s always a tough question to answer, but today I’ll share some tips on where I get ideas for worldbuilding. I hope these help you to create alien creatures, futuristic technology, magic spells, new cultures, and all the trappings of building a world.
Build on Common Tropes
I wrote this post a while back about being unoriginal when creating fantasy creatures. There’s a reason that so many fantasy stories feature dragons and dwarves and goblins. And yet, the dragons and dwarves and goblins are different in every story, every world, every sub-genre. There are as many ways to add unique elements to the old standby of “large fire-breathing dragon” as there are people to write the stories. Don’t discount the old traditional classics as a great jumping-off point for original ideas.
Build on Real Things
In this post, I discuss two examples of stories that use real animals as fantasy races. Like the previous point, there’s a lot of value in starting with something familiar and then adding your own creativity to it. Whether you’re creating a race of armor-wearing polar bears, or a dystopian sci-fi world where dolphin and whales have advanced beyond humans, there’s a ton of inspiration in the real world all around. Continue reading
This week I was stumped for a blog post idea, due in part to being focused on lots of other writerly things besides blogging. I love blogging and I’ve kept at it for years, so don’t worry – I won’t be going anywhere. In the coming weeks I’ll be back to sharing writerly quotes and giving tips about writing and storytelling. But in the meantime, here’s what I’ve been up to.
I’m working on putting my sci-fi novella Blueshift on Nook and iBooks. So if you have a Nook or an Apple device, you’ll soon be able to read it! Continue reading
So I’ve written and published a fantasy book, a science fiction book, and now I’m on to a new genre that combines elements of both fantasy and sci-fi, with some historical thrown in. Welcome to Dieselpunk!
What is dieselpunk, you ask? Well, if you’re familiar with steampunk, then it’s similar, except it’s set in the age of the internal combustion engine instead of the steam era. Wikipedia’s definition of dieselpunk is accurate, if a bit dry: “Dieselpunk…combines the aesthetics of the diesel-based technology of the interwar period through to the 1950s with retro-futuristic technology and postmodern sensibilities.” Continue reading
Writers are observers. We need to observe life in all its grand scope and small detail—places, things, people, events, words, emotions.
A couple of weeks ago, I moved from one state to another one—literally across the country. Since everything about my new home is new, I’m in major observation mode right now. There are so many details that may or may not ever make it into a story. But whether a certain detail actually makes it into a book or not isn’t really the point. Every detail observed and pondered is another wrinkle on the brain, another thought or sound or smell added to the richness of experience.
Details like the dirt road I drive on every day that leads up to the house where I’m staying. I’m learning the spots along the road where the rain has eroded the dirt into a washboard surface, and the spot that looks smooth but the dirt makes the car fishtail ever so slightly whether the road is wet or dry.
Details like the lichen that grows in abundance on the trees. So many different kinds and colors:
Over the past several years, I’ve been very blessed to be a part of some very good critique groups. Even though writing itself is a solitary endeavor, I believe that associating with other writers – whether it’s with critique partners, a creative writing class, or a big writers conference – is vital to any writer’s growth.
So what are the benefits of joining a writing critique group? How do you know if your critique partners will be helpful or useful? How can you make sure that you yourself will be a good critique partner?
Critiquing a fellow writer’s work involves much more than just saying “I liked it.” It’s also much more than line editing, where you call out every unnecessary comma and misspelled word. Every critique group has their own set of rules and expectations, but usually groups are made up of writers submitting a first or maybe second draft, and looking for overall feedback. Does the story flow? Is there too much head-hopping or other issues with point of view? Are there confusing plot points? Do the characters feel real, or just one-dimensional? These are some good aspects to consider when you’re critiquing other’s work. Continue reading