Category Archives: Writings about Writing

Thoughts and tips about the craft

On Writers Conferences and Book Fairs

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Recently I went to North Carolina for a book fair. I had a wonderful time, met some great people, and came back with books, business cards, and a wealth of information.

I decided not to make this post a conference review, but rather just share some things that I’ve learned about writers’ conferences, workshops, and book fairs.

Note: I’ve never participated in a conference or event from the vendor’s side (yet) – so far I’ve only been an attendee. But since a bookish event should be, ideally, designed for the attendees, I can comment on the things that are appealing and done well, and the things that could use some work.

Bring business cards. Whether you’re an author selling books, an agent, a publisher, or just an amateur writer checking it all out for the first time, business cards are a must. You’re going to meet some people you want to stay in touch with, or an author or agent you want to follow up with later. And scribbling names and emails on random pieces of paper is just awkward. If for some reason you don’t bring business cards, at least have bookmarks to advertise your book, or flyers for your company, or something. At one event I stopped at an author’s table and she told me she hadn’t bothered to bring business cards. She had no bookmarks or anything else, either. I didn’t buy a book right then, and do you think I remembered her name long enough to go home and look her up on Amazon or GoodReads? Nope.

Don’t be embarrassed to set up a table even if you have only one book. There are plenty of prolific authors who have to bring just a selection of their stuff to an event, because they have too many titles to fit on a table. But don’t be intimidated by them if you have only one book out so far. I’ve bought just as many books from authors with full series laid out on the table as I have bought from writers selling just one title. Be friendly, have a professional-looking book (and bookmarks or business cards), and have fun.

Be on social media. And have a decent-looking website. Really, this point should be a post all to itself, but I’ll save that for later. The point is that if you’re a writer, an agent, a publisher, an editor, or an illustrator, you need to be represented online. I understand that not everyone is a social media nerd like me, or has the know-how to create a fancy website. But basic blog templates are free, as are Facebook and Twitter. At one book event, I spent some time speaking with a representative from a small publisher. He had a good sampling of books on the table, and he had business cards. However, when I went to the website I found it visually very hard to read because of the design; also, there were several broken links, and no social media links at all. I’m sure it’s a great publisher, but I will not be submitting my manuscript to a company that is still using a website design from 1998 and isn’t on Facebook. It’s not that I’m a social media snob – it’s just that I expect professionals in the writing industry to at least try to keep up with the current trends of said industry.

Another note: With all of these points, good and bad, I am not referring specifically to the event I just attended in NC. These are observations gained from my (admittedly limited) experience of attending bookish and writerly events in general. I also didn’t name any names because a) I want to be polite and protect people’s identity, and b) I’m not that great with names so I’d probably get it wrong if I linked a name to a specific point.

Anyway. Have you attended a writers’ conference or book event of any sort? Do you have any comments or observations to add to this list? Please share!

Naming Your Characters

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I’ve read a lot of blog posts about how to name your characters. I even wrote a post about it a while back, which you can read here on the Mythic Scribes website. I don’t know that there’s one right or wrong way to come up with names for characters, and there are different tips and tricks that vary depending on genre. (My post on Mythic Scribes is about inventing names for fantasy. That article probably won’t help you much if you’re writing contemporary women’s lit.)

So how do you come up with good character names? Well, here are a few suggestions that are not so much tips and tricks, but are ideas to consider when you sit down to populate your story with characters.

Consider your genre. If you’re writing science fiction or fantasy, then you might be able to get some ideas from that post I wrote for Mythic Scribes. (If you do read that post, then scroll down and read the comments – lots of good ideas there.) If you’re writing historical fiction, then do your research and choose names that fit with the time period and location. It wouldn’t do to have a character named Jessica in a story set in ancient Rome (unless, of course, you’re doing a sci-fi time-travel story).

Consider symbolism or meaning of names. This is a common thought process behind the naming of characters – at least from what I’ve read on blogs and heard from other authors. Depending on your genre and the story itself, you can go heavy-handed with the symbolism and meaning – for example, like J.K. Rowling and her name for Remus Lupin. If you know anything about mythology and/or the Latin and Greek roots of words, his name is a dead giveaway that he’s somehow related to dogs or werewolves. Symbolism in names can also be more subtle, such as naming a strong male character after your beloved grandfather, even if the character is not based on him. Some authors want a name that has a particular meaning, which may or may not figure directly in the story. Baby name books are a great resource if you’re looking for meaning or symbolism in your names.

Use humor or in-jokes with your names, if appropriate. This one really depends on the genre and the type of story you’re trying to tell. A comedy might benefit from pun-like names or names with a certain humorous meaning behind them. This may not be the best example, but in the fantasy series I’m writing, I have a character whose last name is Abernathy. This in itself is not funny (nor are the stories supposed to be funny), but I use his last name for (very occasional) humor within the tale. The books are set in Finland, and all of the main characters (with the exception of Mr. Abernathy) are Finnish. I deliberately picked a name that would be challenging for native Finnish speakers to pronounce. This is an incredibly minor point in the books, but I thought it would be fun to toss in elements of other characters occasionally mangling his name.

Scroll through the phone book or pick a Scrabble tile from the box. Did I just say phone book? I feel old now. Well, hopefully you get the idea. This is the “random selection” idea of generating names, and could work if you are totally stuck for ideas, or if you just need a quick name for a minor character and don’t need to put a lot of thought into it.

Now over to you – do you have any ideas or special techniques for naming characters in your stories?

The Nitty-Gritty of Writing: Capitalization

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Some days it seems like basic capitalization is becoming a thing of the past. With texting, auto-correct, and even intuitive typing in word processing programs, it’s easy to just not bother with a silly little thing like capitalization. I’ve been guilty of rushing through a text and not bothering to check and see if my phone automatically changed the i to I or not.

Typos and all lowercase in texts to your friends is one thing, but when it comes to actual writing (as in a blog post, story, query letter, resume, school paper, etc.) capitalization matters. I’m going to highlight just the basics here. Refer to your style manual of choice (Chicago, AP, etc.) for the finer points of capitalization for things like acronyms, honorary titles for individuals or groups, headings and subheadings in articles, and so forth.

The first word of a sentence

This should be a no-brainer. The first letter of the first word of every sentence should be capitalized, even if the word is “the,” like in this sentence.

Proper names

Proper names include:

People’s names – Joe, Sue Smith, or yours truly Grace Robinson

Place names – America, New York City, Grand Canyon

Other proper names (brands, stores, organizations, etc.) – the White House, the Blue Angels, Saks Fifth Avenue

In English, the only pronoun that gets regularly capitalized is “I.” This makes English unusual, because in most languages, the first person singular personal pronoun is no different from “he,” “they,” or “you.”

Book, movie, and song titles

Examples:

The Notebook – as in the Nicholas Sparks novel, or the movie based on his novel. If you’re writing about just a random notebook, it would not be capitalized – unless it’s the first word of the sentence, of course.

“Let it Go” – a perfectly normal phrase, but if you’re referring to the song from Frozen (see, more capitalization), then it now goes in caps.

Other Really Important Words

This is sort of a joke, and sort of not – it mostly depends on context. Unconventional capitalization can be used for humorous effect in a blog post, like this Really Important Post about Capitalization that you’re currently reading. Capitalizing ordinarily non-proper nouns is common in genre fiction like fantasy, such as the One Ring in Tolkien’s Lord of the Rings. “One” and “ring” are common, unimportant words, but in the context of that story, the capitalization lets the reader know that this particular Ring is anything but common.

One important thing to note, though, about capitalizing ordinary words for emphasis: it’s basically universally agreed that texting or posting on social media IN ALL CAPS is the equivalent of shouting, and should be used sparingly. And by sparingly, I mean putting ONE word in all caps for emphasis, NOT THE ENTIRE BLASTED POST. (That’s my opinion – and widely-agreed-upon internet etiquette).

So there you have it – a few small basic rules of capitalization. As I mentioned, please refer to an actual style guide if you get bogged down with capitalization details. But in the meantime, sticking to these basic rules for school papers and internet posts can help add a little professional polish to your work.

Unusual Narrators

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I am not an expert on all the ins and outs of the narrator or narrative voice in fiction. Most of my stories wind up being in the third person, and often from multiple characters’ points of view. Before you jump all over me for that, let it be known that a) I never head-hop within a scene, and b) I’m currently writing an epic fantasy trilogy, and it just wouldn’t work if I had only one P.O.V. character.

Anyway, despite the fact that I have experimented very little with my narrators, I’m fascinated by the concept of the role of the narrator. I’ve decided to make this blog post a brief study of several unusual narrators that I’ve come across (in both books and movies).

The role of the narrator is first and foremost that of storyteller. Whether it’s omniscient third person point of view or an individual character who says “let me tell you my tale,” we learn the story from a narrator. Since I like the telling of stories, I’m always fascinated when I encounter an unusual storyteller.

Unusual Narrators in Movies

Okay, so both of these that I’m going to talk about are technically stage productions, but I’ve only seen the movie versions. The story and the characters would be the same, though. The musicals Evita and Joseph and the Amazing Technicolor Dreamcoat feature very unusual narrators to tell the story. The narrator Ché in Evita and the unnamed Narrator in Joseph both actively participate in the story, even though they are not characters within it. This is a technique that seems like it would be more effective in a show or movie rather than a book.

Ché and Joseph’s Narrator set up the story, introduce the characters, and then take the audience on the journey of the story. Both of these narrators are in just about every scene and every song, but not just as a distant storyteller – they interact with the scene and the characters within it. The characters in both of these stories are unaware that the narrator is a being that exists outside of their world.

For example, in Evita, Eva has several duets with Ché, but she does not recognize him from scene to scene. Ché is simply there to represent the everyman (or sometimes her conscience). Similarly, in Joseph, the characters always greet the Narrator with exuberance and welcome her into the scene, but treat her as a passing fancy. Only at the end, when Joseph and the Narrator sing the final duet, does Joseph seem to become aware that the Narrator has been there all along, telling his story and giving him life. These two stories would actually make a great character study, as well, because of this unique interaction with the narrators, but I won’t go into that right now.

Unusual Narrators in Books

The two books I’ve decided to discuss are Rebecca by Daphne du Maurier and The Historian by Elizabeth Kostova. (Incidentally, I mentioned the narrator of Rebecca in another post I wrote some time back, in which I outline first, second, and third person points of view.)

Both of these books are written in the first person, which at first blush seems like the most limiting of all narrative styles, because the reader can never know anything beyond what the narrator knows. This is definitely the case in Rebecca, where the narrator’s ignorance and conjecture is basically what drives the plot.

The Historian features a very different sort of narrator, because there are technically several narrators. The main narrator (unnamed) is telling the story of her hunt for her father. She follows the trail left by her father based on the letters he’s written to her; these letters are first person, narrated by her father, and his narration (this narrator’s name is Paul) actually takes up the bulk of the book. Paul (via his first person letters) also followed a trail left his by his professor, so portions of the book are told in the first person by the narrator Professor Rossi. It’s a fascinating way to tell a story, and this technique enables the reader to experience multiple points of view (and even multiple time periods) while always staying in the first person. I found it occasionally confusing, though, as there were no markers to indicate when we were switching narrators (or time periods). Since everything was told by “I,” the reader has to rely only on the setting, and an acute awareness for each of the narrator’s voices, to determine who was telling the story at any point in time.

What’s also interesting about both of these stories is that the narrators are not actually the main characters. In Rebecca, we are in the unnamed narrator’s head the entire time and we get to know her intimately, but Max de Winter and even Rebecca herself are the major players in the story. In The Historian, the unnamed primary narrator quickly fades into secondary importance as we follow her father Paul as the narrator. At times reading this book, it was easy to forget that the “main” plot of the story was supposed to take place in the 1970s, because the majority of the story was told via Paul’s letters from the 1950s.

Other Unusual Narrators?

So now I’d like to hear from you. Have you ever read (or watched, or written) a story with an unusual narrator or narrative style? There are other stories I could have discussed here, but I’d love to hear some more examples from you!

And also, for your viewing pleasure, here is the Narrator from Joseph and the Amazing Technicolor Dreamcoat setting up the story and introducing the main character:

2014 – A Blog in Review

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Now that we’re almost half way into January, I finally got around to reviewing my blog stats for last year. I had over 5,000 visitors from literally all over the world. So, thank you to all my readers! Whether you subscribe to my blog (and if you don’t, just sign up in the little box on the right side bar) or you just stumbled across a post by accident, I appreciate you! Sometimes I wonder if I’m writing to the great emptiness of cyberspace, but my stats show me otherwise.

In fact, one of my posts got shared on a Tumblr post featuring links to various blogs and websites for creating fantasy creatures. I’m not actually sure where my post was originally shared, because from there, it’s been shared and re-shared and linked to again and again. I’m so pleased that one of my posts has such wide appeal!

And so for you, dear readers of my blog, I thought I’d share my top three most popular posts from 2014 (according to the WordPress stat monkeys).

Creating Fantasy Creatures and Alien Species

This was my most-read post, one of the ones that’s gotten re-blogged all around Tumblr and other interwebs. Here I analyze what I believe to be some of the core elements in creating believable non-human races for fantasy and sci-fi stories.

Creating Fantasy Creatures and Alien Species – Real Animals as Magical Races

This is a companion post that was almost as popular as the original one, in which I discuss the concept of using real animals as sentient beings in fantasy.

Music Review: Dobbelis, Máddji

This post came in at the number three most popular post of 2014 – and it had the spot of the number one most-read post in 2013. Apparently there are a lot of people out there who like Sami music – or at least who like the Norwegian Sami singer Máddji.

So there’s my year in review. Again, thank you to everyone who’s read my blog – whether it’s been one post or many! If you’re a regular reader, do you have a favorite post from 2014?