Tag Archives: creative writing

5 Things You Should Know about Writing a Novel

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Even though I have not yet published a novel, I’ve written several full first drafts of novels. For the fantasy trilogy that is my current main project, I’m working on the third draft of the first book. Since I’ve completed more than a few full first drafts, I do feel qualified to talk about the work that is entailed in writing a novel from beginning to end.

So if you’ve started a novel, are thinking about writing a novel, or are wondering what the difference is between a novel and a short story, then I believe these five tips can help you:

Your NaNoWriMo novel is not ready for publication in December. Nor is any first draft ready for public consumption. See the first paragraph of this post for reference. Notice that I mention that I’m on my third draft of a novel. Even the best writer in the world goes through several drafts and rewrites. Also please note that tidying up a few spelling errors and run-on sentences does not qualify as a rewrite or second draft. If you want your finished novel to be publication-ready, then get feedback from some good critique partners or beta readers, go through several full rewrites, and then send it off to an editor. 

A novel is more than just a long short story. If you’re a master at writing short stories, then be prepared for an entirely different experience with writing a novel. Even if the core of an idea could work for either a short story or a novel, there’s a lot more to it than just padding out the word count of a 20,000 word short story to make it into a 80,000 word novel. In a novel, a plot can be much more complex, there are usually one or more subplots, more characters can be used, and there needs to be a greater variety of pacing. Also, even if you’re a pantser, writing a novel usually requires a bit more planning and outlining ahead of time than a short story might.

Know Your Genre. Yes, there are some wonderful cross-genre stories out there, and everybody wants to invent a new concept or spearhead a new trend. But if your book doesn’t have a clearly defined genre, you’ll have trouble finding your ideal readers, and book stores and ebook sites will have a hard time listing the book properly. Your genre can be something broad – fantasy, mystery, literary – or something very specific, like YA urban paranormal, historical cozy mystery, or women’s fiction. But pick a category, so that both you and your potential readers know what you’re writing.

There’s no “one right way” to do it. No, I’m not contradicting my previous three points. Some people outline out every scene before they get started, some just have a loose kernel of an idea and discover the story as they go along. Some write every scene in order, some jump around during the first draft stage. Some people use Word, some use Scrivener, some use pen and paper. Find what’s comfortable for you. If you’re not enjoying the process of novel writing, it will be that much harder to finish.

It’s a big commitment. This is perhaps the most important point of all. Whether you’re a NaNoWriMo winner who’s pounded out a full first draft in 30 days, or it’s taken you years to finish a draft, writing a novel takes commitment and dedication. Always remember that if you want to write a novel, no matter what your writing technique is or how long it takes, your goal should be to finish. Finishing takes guts, no doubt about it – but it’s something that anyone can do.

Would you add anything to this list?

What Scares Me About Writing

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Even though I love to write, there are some things I dread doing as a writer. Sometimes it’s hard to come up with blog posts. Writing stuff for my job isn’t always the same thrill-a-minute adventure as writing my own stories. But sometimes, I even dread writing my stories.

The biggest thing I dread writing are battle scenes. For some reason, I find it equally hard to write a big epic battle with armies as I do to write a sword fight or sparring match between two people. My stories are never bloodbaths or fight-fests, but since I write mostly high fantasy, there’s got to be at least a good battle scene or two.

In the fantasy trilogy that I’ve been working on for some time now, I’m currently almost finished with a major rewrite of book one. I’m almost done with the book (yay!) but that means that I’ve come to the point of the big climactic battle (sigh). Revising the battle scenes isn’t much easier than it was writing them the first time.

Epic fantasy battle look great on a screen, and they look pretty good in my head; but getting that into words on the page? That scares me. I write the scenes with much grumbling and trepidation, asking myself why I do this to myself. Because I love high fantasy, that’s why, and I always wind up telling stories that need a big battle.

So, enter a new genre. While I’m slogging through this fantasy rewrite (and fussing over the stalled book two, which I’ve paused because I’m at the battle scenes in that book, too), I decided to start another project. Because I’m a glutton for punishment I thought it would be fun. This project is something totally new for me – historical fiction.

This new story is set in the Golden Age of Hollywood, so I was delighted as I was doing my outline and realized that I have no battle scenes to write. What a freeing feeling! I thought I’d have no challenges with this story because the climax does not involve sword fights or goblin armies hurling magic spells. But there is something about this story that does intimidate me – I’m writing about something real.

Fantasy, for me, is easy (except for the battles). I can basically do whatever I want, and I’m the expert because I made it up. But historical fiction? Now I’m writing about something that other people know way more about than I do. And there are some people still alive today who lived through this time period. I’m writing about a real place, real events, and one of my point of view characters was a real person. I’d (almost) rather write a sword fight.

So why do I keep on writing all this stuff that I dread to write? Because I’m a storyteller. Maybe this is part of the “work” part of writing, the part that makes it not fun. But I know that if I push through my fear of writing a battle scene or my fear of portraying a real person in a work of fiction, I’ll come out a stronger writer for it.

Please share with me – is there any part of writing or storytelling that scares you?

What to do with a Shiny New Idea

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If you’re a writer (or any creative type, really), you’re probably working on at least two projects at any given time. So what do you do when you’re going along as planned, making headway (or not) on your current creative projects, and a Shiny New Idea hits you out of the blue?

The way I see it, there are three ways you can handle this:

These finished books began as Shiny New Ideas for the authors

These finished books began as Shiny New Ideas for the authors

File it away for later

Whether your Shiny New Idea is just the vaguest form of a concept or a full-blown Idea, write it down. You’ll never bring your Idea to fruition – now or later – if you don’t first write it down. And no, you won’t remember it later. Writing it down and filing it away is a good way to a) remember the Idea when the first Shininess has worn off, and b) let it cool before you interrupt all your current projects to work on it. Being creative is great, but some discipline is needed to finish projects. Resolving to file away for later every New Idea until you’ve finished at least one other project is a good way to discipline yourself and get things accomplished.

Mull it over and brainstorm and work it into your schedule

If your New Idea just won’t leave you alone and it keeps popping back up at inopportune moments, you might decide to go ahead and bring the Idea out of the file-for-later bin. But remember the thing about discipline and finishing stuff from point number one? If you’ve made certain goals or commitments with your current projects (whether it’s publishing deadlines, submitting work to your critique partners, or just a personal goal), make sure you don’t neglect these. If you’ve decided that you want to add one more project to your plate, then your schedule will likely have to get reworked.

Stop your life and do nothing but the New Idea

This is the most tempting when a Shiny New Idea hits, but it’s rarely a good thing to try. And if you’re an adult (or youth) with a job, school, or other responsibilities, then stopping your life for your latest Idea is fine because adulthood is overrated just isn’t possible.

I’ve been hit by a Shiny New Idea more times than I can count – and of course it always comes when I’m swamped with other projects, because I’m always swamped with other projects. About 90% of my Shiny New Ideas get put into category one. Some of them I have eventually made the time to get back to, but most are still on my to-do list. And that’s okay.

It’s good to remember that you can do anything you want, but not everything you want, and certainly not all at once.

So tell me – what do you do with your Shiny New Ideas?

Story Prompts to Get Unstuck

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I am not usually one who needs story prompts. I don’t mean for this to sound arrogant or bragging – it’s just that I’m usually so inundated by ideas that what I need is more time to write, not more ideas. But even us constantly-flooded-with-ideas folks get stuck now and then, or we want to take a break from current projects and try something new.

I’ve written a couple of posts in the past about generating ideas and breaking through writer’s block. I find that writing something else besides my current project can keep my mind in a writerly mode without it getting bogged down in whatever I’m stuck on.

I also started a Pinterest board with cool pictures and ideas for story prompts.

Another great source of inspiration for me is music. Sometimes ideas come to me while I’m listening to something, other times I purposefully play certain songs or tracks while I’m brainstorming. If you want to know what kinds of music get me going, here are some of my favorites.

I hope that some of these links can help you if you need prompts or brainstorming fodder. What are some of your favorite ways to get your creative juices flowing again?

Stories about Stories

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I like stories, and so stories that are about stories seem doubly cool to me. I decided to analyze three of my favorite “stories within stories” and the different ways that this concept can be handled.

A Tale: “The Tale of the Three Brothers” in Harry Potter

I’ve read various cautionary articles about inserting a “tale” into fiction. Interrupting the flow of the plot for “storytime” can slow the action, take the reader out of the story, and is often a thinly veiled excuse for an unnecessary flashback. While all of these are true, I think there are still ways to use the “tale” inside a story without interrupting the main plot. Harry Potter and the Deathly Hallows does this very well with the “Tale of the Three Brothers.” One of the main things that makes it work is that this tale is vital to the rest of the main plot of the book. This tale isn’t an excuse for lame backstory or filler for a slow plot—without this little story-within-the-story, Harry wouldn’t learn everything he needs to know about the Deathly Hallows, which is vital to the rest of the story.

Plus, the tale was treated beautifully in the film. Honestly, it’s my favorite part of the movie:

 

Nested Stories and Flashback Tales: The Historian

If you’re not supposed to use tales within a story as an excuse for a flashback, then this book breaks that rule with every single chapter. This book is a bit unique, though, because the entire thing is a flashback within a flashback, and the different time periods of the story mesh perfectly to create the larger plot. I blogged about this book in a post I did about narrators, because all of the flashbacks are told in the first person, but by different people. This book isn’t really a good model for the average writer to follow, even though this author handled the writing style brilliantly. If you want to write a story within a story, it would probably be wiser to stick with a Harry Potter-esque “tale,” or a story about a story, as in the following example.

A Story about a Story: The Princess Bride

Since the book of The Princess Bride is very different from the movie—and probably more people have seen the movie—I’ll focus on the film for my example. The “main plot” of the story is the relationship of a little boy and his grandfather. Very little action happens, but there is character growth as the impatient boy realizes that his old-fashioned grandfather really isn’t as out of touch as he first thinks, and that they both share a love for a good story. The bulk of the movie, of course, is the fairy tale that the grandfather reads to the boy, The Princess Bride. The occasional hops out of the tale, like when the boy complains about the kissing scenes, are just frequent enough to remind the audience that this is a story within a story, but they don’t interfere with the flow of the plot.

Now over to you! Do you have a favorite “story within a story?”

Or a favorite Princess Bride quote? Just because.