The Awesome Idea

Everything that’s ever been created or ever will be created starts with a thought.

Sometimes this idea starts like a tiny seed—just one small unassuming thought that grows and develops into a full-blown Awesome Idea.

Other times, the Awesome Idea hits full grown and the one doing the thinking is bowled over by the intensity of the beginning, middle, end, and solution all wrapped up in one package all at once.

I’ve had story ideas come to me both ways. Sometimes I’m inspired to write because I get the whole plot—or at least the rough outline—all at once. Even this full-grown Awesome Idea gets built upon, of course, as I write it down. (I have yet to think up a whole story—complete with every word in place, dialogue tags done, no mistakes—without actually writing it down first. Now that would be an Awesome Idea indeed).

But usually, the Awesome Idea for a story comes to me in bits and pieces, and I have a lot of work to do before I have something that’s concrete enough to even begin writing it down. A character, a loose concept, one word or one line, an image or a musical phrase that captures my mind—these little disconnected flitting thoughts are usually what I begin with. Then comes brainstorming, building, experimenting with combining two or more of these disconnected ideas to see if they could gel together to begin growing into the Awesome Idea.

For my current project, I can actually trace the Awesome Idea that is the trilogy I’m writing (hopefully it’s awesome!) to one exact moment, one specific kernel of an idea. It’s grown and changed, of course, and went from a stand-alone book to a trilogy. The setting moved from Russia to Finland, and my one main character was joined by a sizable supporting cast.

But it all began when I was watching a movie called Kautokeino-Opprøret (a Norwegian film; the title translates as The Kautokeino Rebellion). The movie is based on the true story of a revolt by indigenous Sami people against the encroaching government, in a remote village in Norway in the 19th century. There’s one scene where the Sami are combining their separate herds of reindeer into one giant herd, to prevent one particular woman’s reindeer from being taken by the government in payment for a fine.

A line popped into my head: what if an entire herd of reindeer just vanished? And thus was born The Vanished Reindeer, the first novel of my trilogy. I then enhanced that core of an idea with a small dose of Finnish mythology and a large dose of fantasy.

Just a reminder: I’m talking about the birth of an Awesome Idea. The final product—my novel—has absolutely nothing to do with the Norwegian movie, is not based on a true story, and is not intended to be a commentary about indigenous peoples or governments. But that’s where it started.

I’d love to hear your thoughts! Writers, artists, musicians, and creators out there—how do your Awesome Ideas develop?

Music video/trailer for Kautokeino-Opprøret, music by Sami singer Mari Boine:

Music Review: “Room,” Eivør Pálsdóttir

I’m neither a professional musician nor a professional music critic or reviewer. But I love music, and I’ve blogged about it before, so I’m trying my hand at writing a review of one of my favorite singers and her newest album.

Eivør Pálsdóttir hails from the Faroe Islands, a small island chain about halfway between England and Iceland. Her musical résumé is long and prolific, with more than ten albums (solo and collaborations) to her name. I’m a relatively new fan, but thanks to the internet, I’ve been able to hear a lot of her older stuff as well as newer music.

One of my favorite things about Eivør is her diversity in music styles—she sings everything from folk to heavy metal to lyrical ballads to world music with a tribal flair. Her newest album, Room, was just released a few weeks ago by Tutl Records. I would classify the songs on this album to be some folk-rock, some singer/songwriter style, and all with a unique Eivør twist. As a whole, this album is a beautiful showcase for Eivør’s clear soprano voice.

Similar to some of her previous albums (such as Larva and Human Child), all of the songs but one on Room are in English. “Eg Veit,” the Faroese version of the song “I Know,” is available on the digital download version of the album.

Poignancy, bitter-sweet sorrow, and loving remembrance characterize the songs. The death of her father came as Eivør was putting together Room, and she’s dedicated the album to him. The powerful and loving influence that he must have had on her life is evident in songs like “Far Away.”

While I generally dislike sad songs, no matter the subject or how well they’re sung, even the saddest songs on Room are far from depressing. Every song is tinged with promise and beauty—like the mournful song “Green Garden,” which repeats the hopeful “…waiting for the earth’s orbit to bring back spring.”

Although I’ve already picked my favorite songs of the album (“Green Garden” and “Rain” are at the top of my list), as a whole Room floats and shines like mist over an island in a cold sea. It’s well worth a listen.

Since this is supposed to be a writing blog, after a fashion, then what does this glowing review of a singer you’ve probably never heard of have to do with writing? Nothing, maybe—or perhaps everything. Writing a great song takes as much talent and work as writing a great novel or writing a great blog post. Eivør writes what’s in her heart, and she’s not afraid to share it with the world. The world is a better place because of it, too. And it’s something we can all do—write, share, and be inspired by the beauty all around.

Eivør’s website: www.eivor.com

“Rain” – acoustic version, live in the studio

Darkness and Light

This blog entry doesn’t have a point—at least as far as useful insights or advice might go. This time I think I’ll just share my musings about two of my favorite songs (I have a lot of favorites, actually, but I’ll talk about just two here). I blogged a few weeks ago about music, how I use it in conjunction with my writing and so on—you can read it here, and I’ll try not to repeat myself for this post.

I titled this post “Darkness and Light” because of two songs that I’ve been listening to a lot lately, and that I find very inspirational for the novel that I’m working on. It also could serve as an analogy for the worlds in my fantasy novel. One country, called Pohjola, is a land of light—peace, happiness, and abundant light in the sky. The other land is called Ice-Dark, and it is appropriately dark—that’s where the bad guy lives, and there’s no sun or moon.

The “dark” song that I’m putting in this blog isn’t actually dark as in evil. It’s really about the positive side of darkness, both physical and poetic or philosophical darkness. One of my favorite lines, that I find especially inspiring for myself as a writer, is: “Imagining places that I’ve never seen, the morning of life and the end of all dreams…”

The song “Mercy of Darkness” is by Eivør Pálsdóttir, a brilliant singer and songwriter from the Faroe Islands. She has a version of this song in her native language as well, but I’ve put the English version here, gambling that more of my blog readers speak English than Faroese.

The “light” song is about actual light, as well it being a love song of sorts (at least that’s my interpretation). The title “Iđitguovssu” translates as “Dawn Light.” The singer, Máddji, is a Sami from Norway. As I mentioned in my previous post about music, part of my book takes place in Lapland or Samiland, and some of my characters are Sami.

I also happen to just really like Sami music, whether it be the traditional yoiks or the more modern music infused with flavors from other cultures.  This particular song just relaxes me, and if I’ve had a hectic day it helps to put me into a frame of mind for writing.

Does anybody else have a favorite “writing” song that provides you with comfort, inspiration, or just plain joy? Please share!

Music to write by

I never listen to music while I write. Songs with words are way too distracting when I’m trying to come up with words of my own. Even instrumental music can be a distraction for me, unless it’s so in the background that I can ignore it, like blending with voices and other noises at a coffee shop.

That being said, when I’m not writing, I love listening to music. I’ll often just sit with my eyes closed, doing nothing but listening to a piece of music. I also listen to music while I’m driving (not with my eyes closed). It’s during these times of contemplative listening that I either get ideas for a story, or am able to delve deeper into the world of what I’m currently writing.

For the fantasy story I’m working on right now, I have several pieces of music that are my go-to tracks to get me into the right mind-set. Many of these tracks are by a band called Angelit, formerly called Angelin Tytöt. The band is from a tiny place called Angeli, in northern Finland. (Angelin Tytöt means “The Girls of Angeli,” and Angelit translates as something close to “The Angelis”).

Angelit’s music instantly takes me far away, both to real places I’ve never been, and imaginary places where I have been. If I’m brainstorming about a fast-paced scene I need to write, like a battle or some other adventure, I’ll listen to a song like “Garkit.” The loud beat and almost soundtrack-like quality conjures up the images I need, and I’m ready to go.

A more relaxing, mesmerizing song like “Gidda Beaivvas” lets my mind wander more slowly through my world. Sometimes images put to the music helps, sometimes all I have to do is listen.

 

The underlying theme in all of Angelit’s music is the Sami yoik and traditional music sounds. The band members belong to the Sami people (also known as Lapps)–the indigenous people who live in the high arctic of northern Scandinavia. Angelit usually sings in their native Sami dialect, rather than Finnish, and they incorporate variations of the Sami traditional “yoik” singing into their music.

This cultural backdrop is another reason why Angelit’s music serves as my muse for my story. The story is set in Lapland in northern Finland (yes, I promise it’s a fantasy story), and some of my characters are Sami. I realize that some cultural inaccuracies will occur, since I’m not a Sami and haven’t been there, but give me a little leeway–it really is a fantasy story, and the majority of it does not take place in Lapland. But whether I’m writing a scene that’s set in a real place or set in a place of my own making, the songs of Angelit always get my creativity going.

I’d love to hear some feedback! Any other writers out there who have a go-to song or two to get your creative juices flowing?