Strong Women of Sci-Fi – Lyta Alexander from Babylon 5

This week I’m going to highlight one more strong female character from science fiction – and I have to discuss my favorite sci-fi show ever, Babylon 5. For anyone who’s watched Babylon 5, you would probably agree that the two main female leads – Susan Ivanova and Delenn – are strong women. But as much as I’d agree with you, and as much as I’d like to discuss either of those characters, I’m going to talk about the character of Lyta.

Lyta Alexander from Babylon 5

Lyta is a telepath, and she initially serves as the diplomatic aide to the enigmatic Ambassador Kosh of the Vorlon Empire. Throughout the story of Babylon 5, the Vorlons – at first allies, then enemies, but always mysterious – alter Lyta’s telepathic abilities. She becomes stronger than average telepaths, and by the end of the series she reveals that the Vorlons had intended to use her as a doomsday weapon in their war against the Shadows.

I believe that Lyta is a strong character, but unlike Delenn or even Ivanova, she has a negative character arc. At the beginning of the story she starts out “good,” as it were – she’s a good person, she wants to do the right thing, she readily sides with the Army of Light. But through both circumstances and her own poor decisions, her character arc descends from the positive to the negative. By the end, she is hated and feared by her friends, and she herself has become belligerent, distrustful, and a terrorist. Continue reading

Five Questions to Help You Create a Fictional Culture

If you’re a fantasy or sci-fi writer, then you’ve probably tried your hand at creating fantastic creatures and aliens of all sorts. But inventing convincing aliens or fairy-tale creatures involves more than just coming up with cool looks or inhuman superpowers. If all you need for your story is just a scary monster or creepy creature, that’s fine – but if you want an actual alien race or people-group for a fantasy world, then you need more than just the basics of creature traits.

Here are five questions that you can ask yourself as you’re inventing people, cultures, races, and creatures for your fantasy/sci-fi stories. Continue reading

5 Types of Books to Make You a Better Writer

Some time ago I wrote a guest post about five books that have helped me as a writer. In this post, I want to discuss five types of books (as opposed to specific titles) that I believe can help you become a better writer.

A craft of writing book

This is one category that I need to work on more. I’ve read a few books on the craft of writing, but it’s something that even the best authors can always get better at. If you want to get better at writing, then constantly writing is important – but a how-to writing book can help you strengthen your writing strengths, adjust your weaknesses, and point out mistakes you didn’t even realize you were making.

A people skills book

You know those self-help books about different personality types or how to get along with other people? Those are actually really useful. Even though most of us writers are introverts who would rather just not deal with people at all thank you very much, the truth is that we do have to deal with people. Family, co-workers, and your readers – all are made up of people. Learning how not to alienate your fans or get stressed during a conversation can really make for a nice life.

And secondly, if you write any type of fiction, then – you guessed it – you’re writing about people. Even in more plot-driven genre fiction like sci-fi or epic fantasy, there are characters. Understanding how people work – especially those people who are not like you – can really help you add depth and realism to your characters.

A follow-your-dreams book

Go back to the self-help or inspirational section of the book store and get one of those upbeat books about never giving up on your dreams. Having the determination and the know-how to press through the doubts and rejections and keep going is ultimately more valuable than knowing how to properly punctuate. Writing can be a lonely and difficult thing. Hopefully you have a support network of other writers (whether a local writer’s group or an online forum), but you need to be able to encourage yourself, too.

A well-written book in your favorite genre

If you want to write good science fiction, then you should be reading good science fiction. If you want to write a cozy mystery, then read some good cozy mysteries so you know how to structure the story. This is probably not a difficult task for most writers, because you’re already reading books in your favorite genre, because it’s your favorite.

An important key here is the “well written” part. Don’t just grab the latest free ebook by a first-time author. This doesn’t mean that the book is bad or poorly written, but if your goal is to craft a well-written book, then you need a good example of one. You don’t necessarily have to go for a New York Times bestseller, but take the time to check the reviews, view a sample page, and maybe check the author’s track record or publishing history.

A well-written book in a genre you don’t usually read or write

Even if you’re a fantasy writer, and all you ever intend to write is high fantasy, you should still read the occasional mystery or sci-fi book or contemporary literature. Why? Because you can learn from everything. Character development, foreshadowing, proper sentence structure, proper dialogue tags, pacing – all of these elements that go into making a good story are important no matter the genre. Reading outside of your favorite genre can make you notice elements of storytelling or writing style that you might not have otherwise picked up on because your mind is stretching in a different way. There are excellent writers in every genre, and you might be missing out on some valuable writing tips (or even missing out on discovering your new favorite author) if you never branch out.

And see the previous point about the importance of using a well-written book, not just any old freebie or your teen cousin’s fan fiction. If your goal is to learn, then check your sources.

Do you have any favorite books that fall into one of these categories? Do you have another type of book that has helped you to grow as a writer?

Questions for Readers

This post is a poll of sorts, and I really would love your feedback! (It’s only three questions, and you don’t have to answer them all, so don’t panic). These are few things that I’ve been mulling over lately as I’ve been working on my fantasy stories, and I’d really like to know what other people think about these things. My questions are directed mainly at readers of fantasy and related genres. I welcome feedback from readers (and writers!) of any genre, but fans of fantasy/sci-fi/paranormal would probably understand these questions best.

So, here we go:

Do you prefer one-shots, duology/trilogy, or series?

I’m not trying to find the “best” or even the most currently “marketable” length – I’m just genuinely curious what other people are reading. And I’m honestly not sure which one is my favorite. So what’s your preference?

Do you like to have foreign languages translated in the text, or just have it left up to the reader to figure out words from the context?

This isn’t really about conlangs (constructed languages, like Elvish or Klingon), although that could be a subject for a blog post all on its own. When a character is speaking in another language (one different from the point of view character’s primary language) I’ve seen several different methods used:

The writer puts the character’s dialogue in brackets instead of quotes – [I bring you my sword], said Vlen – to indicate the language change. Or—

The writer simply states the language switch: “I bring you my sword,” said Vlen in Elvish. Or—

The writer has constructed at least the basics of the language, and uses it, with or without a translation as part of the narrative: “Mdash nii hwena,” said Vlen. I bring you my sword.

Have you read books – or written books – using one of these methods? Or a different method? Do you have a favorite? What method of inserting other languages seems the most awkward or interrupts the flow of the story?

Do you love or hate a book with a glossary or appendix?

Many fantasy books have landscape maps or genealogical maps, often at the beginning of a book. But what about other stuff that might come at the end of a book, like a glossary of conlang terms, a pronunciation guide, or an appendix explaining a cultural history or technological specs? Do glossaries and appendices get you excited about learning “behind the scenes” stuff about the world of the book, or do you get bogged down because it feels like a textbook?

 

Thanks! I truly want to know what others think about these storytelling elements. I look forward to reading everyone’s answers!

10 Quotes about Life from Babylon 5

I’ve written another post of quotes from sci-fi and fantasy, but I thought I’d do a part two and make it exclusively quotes from the sci-fi TV show Babylon 5. If you’ve been reading this blog for a while, you know that I’m rather fond of that show. Not only is it one of my favorite TV shows ever, it’s one of my favorite epic fantasy stories, in any medium. The writing was brilliant, and the episodes were full of witty dialogue and quotes of wisdom.

As I asserted in my previous quotes post, we can learn a lot about real life from stories of fantasy.

It takes a rare kind of wisdom to accept change and redemption in another. Many would refuse, seeing only what was, not what is. – G’Kar, “The Hour of the Wolf”

You seek meaning? Then listen to the music, not the song. – Kosh, “Deathwalker”

We are all born as molecules, in the hearts of a billion stars – molecules that do not understand politics or policies or differences. Over a billion years, we, foolish molecules, forget who we are and where we came from. In desperate acts of ego, we give ourselves names, fight over lines on maps, and pretend that our light is better than everyone else’s. – Delenn, “And All my Dreams, Torn Asunder”

We are all the sum of our tears. Too little, and the ground is not fertile and nothing can grow there. Too much, and the best of us is washed away. – G’Kar, “Objects in Motion”

Touch passion when it comes your way, Stephen. It’s rare enough as it is. – Marcus, “Lines of Communication”

I am both terrified and reassured to know that there are still wonders in the universe, that we have not explained everything. – G’Kar, “Mind War”

We are dreamers, shapers, singers, and makers. – Elric, “The Geometry of Shadows”

Fighting a war is easy, destroying is easy. Building a new world out of what’s left of the old: that is what’s hard. – Delenn, “Lines of Communication”

Faith and reason are the shoes on your feet. You can travel farther with both than you can with just one. – Brother Alwin, “The Deconstruction of Falling Stars”

Now we make our own magic. Now we create our own legends. Now we build the future. Now we stop being afraid…of shadows. – Delenn and Sheridan, “Into the Fire”