5 Types of Books to Make You a Better Writer

Some time ago I wrote a guest post about five books that have helped me as a writer. In this post, I want to discuss five types of books (as opposed to specific titles) that I believe can help you become a better writer.

A craft of writing book

This is one category that I need to work on more. I’ve read a few books on the craft of writing, but it’s something that even the best authors can always get better at. If you want to get better at writing, then constantly writing is important – but a how-to writing book can help you strengthen your writing strengths, adjust your weaknesses, and point out mistakes you didn’t even realize you were making.

A people skills book

You know those self-help books about different personality types or how to get along with other people? Those are actually really useful. Even though most of us writers are introverts who would rather just not deal with people at all thank you very much, the truth is that we do have to deal with people. Family, co-workers, and your readers – all are made up of people. Learning how not to alienate your fans or get stressed during a conversation can really make for a nice life.

And secondly, if you write any type of fiction, then – you guessed it – you’re writing about people. Even in more plot-driven genre fiction like sci-fi or epic fantasy, there are characters. Understanding how people work – especially those people who are not like you – can really help you add depth and realism to your characters.

A follow-your-dreams book

Go back to the self-help or inspirational section of the book store and get one of those upbeat books about never giving up on your dreams. Having the determination and the know-how to press through the doubts and rejections and keep going is ultimately more valuable than knowing how to properly punctuate. Writing can be a lonely and difficult thing. Hopefully you have a support network of other writers (whether a local writer’s group or an online forum), but you need to be able to encourage yourself, too.

A well-written book in your favorite genre

If you want to write good science fiction, then you should be reading good science fiction. If you want to write a cozy mystery, then read some good cozy mysteries so you know how to structure the story. This is probably not a difficult task for most writers, because you’re already reading books in your favorite genre, because it’s your favorite.

An important key here is the “well written” part. Don’t just grab the latest free ebook by a first-time author. This doesn’t mean that the book is bad or poorly written, but if your goal is to craft a well-written book, then you need a good example of one. You don’t necessarily have to go for a New York Times bestseller, but take the time to check the reviews, view a sample page, and maybe check the author’s track record or publishing history.

A well-written book in a genre you don’t usually read or write

Even if you’re a fantasy writer, and all you ever intend to write is high fantasy, you should still read the occasional mystery or sci-fi book or contemporary literature. Why? Because you can learn from everything. Character development, foreshadowing, proper sentence structure, proper dialogue tags, pacing – all of these elements that go into making a good story are important no matter the genre. Reading outside of your favorite genre can make you notice elements of storytelling or writing style that you might not have otherwise picked up on because your mind is stretching in a different way. There are excellent writers in every genre, and you might be missing out on some valuable writing tips (or even missing out on discovering your new favorite author) if you never branch out.

And see the previous point about the importance of using a well-written book, not just any old freebie or your teen cousin’s fan fiction. If your goal is to learn, then check your sources.

Do you have any favorite books that fall into one of these categories? Do you have another type of book that has helped you to grow as a writer?

The Nitty-Gritty of Writing: Style Sheets and Consistency

Consistency counts for a lot, and can cover many writerly issues. This is not to say that if you’re a consistently bad speller, everything will be okay, because that’s not the case at all. And being a consistently bad storyteller will not put you on any best seller lists.

What I’m talking about here is perhaps better described as a “style sheet.” A style sheet is a set of notes for yourself – and perhaps for your editor, too – about how you are choosing to spell, punctuate, and capitalize certain things in your story.

Some examples:

Let’s say that you’re an American author, but you’re writing a book specifically for a European audience and you’re planning to submit to a British publisher. Because of this, you have made the personal decision to use British spellings: favour instead of favor, honour instead of honor, theatre instead of theater, etc. You’ll likely get a red underline in Word every time you type one of those words with an extra u, but for your purposes, it’s not a misspelling. Just make sure that you use those non-American spellings consistently throughout the entire work. Writing about the color of the honourable judge’s hair will just confuse everybody.

If you’re a fan of the Oxford comma (or serial comma), then make sure you use it in all instances that would warrant it. If you write “I ate beans, chicken, and corn bread,” then don’t neglect that second comma in a similarly-structured sentence later in the book. (Side note: I’m not advocating for or against the serial comma, or endorsing any particular style guide. Just pick your favorite and stick with it).

If you have a character named Sara at the beginning of the book, make sure that her name doesn’t change to Sarah halfway through. Or if the town is called Bellavista in the first chapter, it shouldn’t be Bella Vista in chapter two (unless the name change is part of the story).

Whether you’re adhering to the rules of a specific style guide or not, a personal style sheet can be a good idea to keep yourself consistent. An alert reader will notice inconsistencies – whether they’re big plot holes, or just little misspellings. But either way, inconsistency makes you come across as a sloppy or uncaring author, and no one wants that. So do yourself a favor, and make sure your writing is consistent.

5 Things You Should Know about Writing a Novel

Even though I have not yet published a novel, I’ve written several full first drafts of novels. For the fantasy trilogy that is my current main project, I’m working on the third draft of the first book. Since I’ve completed more than a few full first drafts, I do feel qualified to talk about the work that is entailed in writing a novel from beginning to end.

So if you’ve started a novel, are thinking about writing a novel, or are wondering what the difference is between a novel and a short story, then I believe these five tips can help you:

Your NaNoWriMo novel is not ready for publication in December. Nor is any first draft ready for public consumption. See the first paragraph of this post for reference. Notice that I mention that I’m on my third draft of a novel. Even the best writer in the world goes through several drafts and rewrites. Also please note that tidying up a few spelling errors and run-on sentences does not qualify as a rewrite or second draft. If you want your finished novel to be publication-ready, then get feedback from some good critique partners or beta readers, go through several full rewrites, and then send it off to an editor. 

A novel is more than just a long short story. If you’re a master at writing short stories, then be prepared for an entirely different experience with writing a novel. Even if the core of an idea could work for either a short story or a novel, there’s a lot more to it than just padding out the word count of a 20,000 word short story to make it into a 80,000 word novel. In a novel, a plot can be much more complex, there are usually one or more subplots, more characters can be used, and there needs to be a greater variety of pacing. Also, even if you’re a pantser, writing a novel usually requires a bit more planning and outlining ahead of time than a short story might.

Know Your Genre. Yes, there are some wonderful cross-genre stories out there, and everybody wants to invent a new concept or spearhead a new trend. But if your book doesn’t have a clearly defined genre, you’ll have trouble finding your ideal readers, and book stores and ebook sites will have a hard time listing the book properly. Your genre can be something broad – fantasy, mystery, literary – or something very specific, like YA urban paranormal, historical cozy mystery, or women’s fiction. But pick a category, so that both you and your potential readers know what you’re writing.

There’s no “one right way” to do it. No, I’m not contradicting my previous three points. Some people outline out every scene before they get started, some just have a loose kernel of an idea and discover the story as they go along. Some write every scene in order, some jump around during the first draft stage. Some people use Word, some use Scrivener, some use pen and paper. Find what’s comfortable for you. If you’re not enjoying the process of novel writing, it will be that much harder to finish.

It’s a big commitment. This is perhaps the most important point of all. Whether you’re a NaNoWriMo winner who’s pounded out a full first draft in 30 days, or it’s taken you years to finish a draft, writing a novel takes commitment and dedication. Always remember that if you want to write a novel, no matter what your writing technique is or how long it takes, your goal should be to finish. Finishing takes guts, no doubt about it – but it’s something that anyone can do.

Would you add anything to this list?

What Scares Me About Writing

Even though I love to write, there are some things I dread doing as a writer. Sometimes it’s hard to come up with blog posts. Writing stuff for my job isn’t always the same thrill-a-minute adventure as writing my own stories. But sometimes, I even dread writing my stories.

The biggest thing I dread writing are battle scenes. For some reason, I find it equally hard to write a big epic battle with armies as I do to write a sword fight or sparring match between two people. My stories are never bloodbaths or fight-fests, but since I write mostly high fantasy, there’s got to be at least a good battle scene or two.

In the fantasy trilogy that I’ve been working on for some time now, I’m currently almost finished with a major rewrite of book one. I’m almost done with the book (yay!) but that means that I’ve come to the point of the big climactic battle (sigh). Revising the battle scenes isn’t much easier than it was writing them the first time.

Epic fantasy battle look great on a screen, and they look pretty good in my head; but getting that into words on the page? That scares me. I write the scenes with much grumbling and trepidation, asking myself why I do this to myself. Because I love high fantasy, that’s why, and I always wind up telling stories that need a big battle.

So, enter a new genre. While I’m slogging through this fantasy rewrite (and fussing over the stalled book two, which I’ve paused because I’m at the battle scenes in that book, too), I decided to start another project. Because I’m a glutton for punishment I thought it would be fun. This project is something totally new for me – historical fiction.

This new story is set in the Golden Age of Hollywood, so I was delighted as I was doing my outline and realized that I have no battle scenes to write. What a freeing feeling! I thought I’d have no challenges with this story because the climax does not involve sword fights or goblin armies hurling magic spells. But there is something about this story that does intimidate me – I’m writing about something real.

Fantasy, for me, is easy (except for the battles). I can basically do whatever I want, and I’m the expert because I made it up. But historical fiction? Now I’m writing about something that other people know way more about than I do. And there are some people still alive today who lived through this time period. I’m writing about a real place, real events, and one of my point of view characters was a real person. I’d (almost) rather write a sword fight.

So why do I keep on writing all this stuff that I dread to write? Because I’m a storyteller. Maybe this is part of the “work” part of writing, the part that makes it not fun. But I know that if I push through my fear of writing a battle scene or my fear of portraying a real person in a work of fiction, I’ll come out a stronger writer for it.

Please share with me – is there any part of writing or storytelling that scares you?

What to do with a Shiny New Idea

If you’re a writer (or any creative type, really), you’re probably working on at least two projects at any given time. So what do you do when you’re going along as planned, making headway (or not) on your current creative projects, and a Shiny New Idea hits you out of the blue?

The way I see it, there are three ways you can handle this:

These finished books began as Shiny New Ideas for the authors

These finished books began as Shiny New Ideas for the authors

File it away for later

Whether your Shiny New Idea is just the vaguest form of a concept or a full-blown Idea, write it down. You’ll never bring your Idea to fruition – now or later – if you don’t first write it down. And no, you won’t remember it later. Writing it down and filing it away is a good way to a) remember the Idea when the first Shininess has worn off, and b) let it cool before you interrupt all your current projects to work on it. Being creative is great, but some discipline is needed to finish projects. Resolving to file away for later every New Idea until you’ve finished at least one other project is a good way to discipline yourself and get things accomplished.

Mull it over and brainstorm and work it into your schedule

If your New Idea just won’t leave you alone and it keeps popping back up at inopportune moments, you might decide to go ahead and bring the Idea out of the file-for-later bin. But remember the thing about discipline and finishing stuff from point number one? If you’ve made certain goals or commitments with your current projects (whether it’s publishing deadlines, submitting work to your critique partners, or just a personal goal), make sure you don’t neglect these. If you’ve decided that you want to add one more project to your plate, then your schedule will likely have to get reworked.

Stop your life and do nothing but the New Idea

This is the most tempting when a Shiny New Idea hits, but it’s rarely a good thing to try. And if you’re an adult (or youth) with a job, school, or other responsibilities, then stopping your life for your latest Idea is fine because adulthood is overrated just isn’t possible.

I’ve been hit by a Shiny New Idea more times than I can count – and of course it always comes when I’m swamped with other projects, because I’m always swamped with other projects. About 90% of my Shiny New Ideas get put into category one. Some of them I have eventually made the time to get back to, but most are still on my to-do list. And that’s okay.

It’s good to remember that you can do anything you want, but not everything you want, and certainly not all at once.

So tell me – what do you do with your Shiny New Ideas?