THE NEXT BIG THING – Blog Hop

I did a blog hop about the Next Big Thing once before, but I thought it’d be fun to give it another go. I will be answering several questions about my WIP. In the first “interview” about the Next Big Thing, I talked about the second book of the trilogy I’m doing, because I’m currently writing the first draft of it. For this blog “interview,” I’ll talk about the first book, which is in the rewrite and first round of edits stage.

1: What is the working title of your book?  

The Vanished Reindeer. The trilogy is titled The Light-Whisperers of Kalevala.

2: Where did the idea come from for the book?

I wrote a blog post once specifically about that. The idea came from a thought about a herd of reindeer and a mystery—and to solve the mystery for myself, I turned to the realm of fantasy.

3. What genre does your book come under?

Fantasy. Specifically, cross-world fantasy (where the story takes place both on earth and in a fantasy world), with a dose of mythology-inspired fantasy.

4: Which actors would you choose to play your characters in a movie rendition?

Dunno. I’m still working on this one. Most of the actors would need to be Finnish, as the story is set in Finland and only one of the characters is American.

5: How long did it take you to write the first draft of your manuscript?

About a year and half to finish the first draft.

6: What else about your book might pique the reader’s interest?

Well, let’s see—are you a reader who likes fantasy that pulls elements from mythology and classic literature? Are you a reader who likes a good Scandinavian mystery? Are you a reader who likes mysterious monsters, immortal queens, magic, music, and just a dab of romance? My book has all of that—hopefully tied together in a nice cohesive package. That’s what this rewriting/editing phase is for.

Many thanks to Bonnie Watson for sending me this blog hop entry. Check out her books at www.WisdomNovels.com!

Christmas Music to Write By

For the month of December, my posts will all be Christmas-themed, just to be festive (or annoying, depending on your point of view). You can love it or hate it, celebrate it with joy or celebrate a different winter-time festival—but either way, Christmas is here and so is its impact on our culture. So I figured it would be appropriate if my blog reflected that.

I did a post a few months ago about Music to Write By – music that inspires me and that is my choice listening material when I want to get into writing mode. At Christmas time it’s no different.

Usually, listening to Christmas music gets me into a mode to write something Christmas-y, which may or may not be appropriate to whatever I’m actually working on at that time. But I do have a few (or rather, a lot) of Christmas songs that inspire me to write in general. So here are a few tracks and the reasons that I use them as music to write by:

In the Bleak Midwinter – by Loreena McKennitt

Canadian musician Loreena McKennitt is one of my favorite singers to begin with, and I love her Christmas music as much as I love her non-seasonal stuff. This track in particular is good writing music mostly because it’s instrumental—I can’t actively write if there’s a song with words playing. But whether I’m listening and brainstorming or listening and writing, this elegant rendition of a classic Christmas carol is simple and beautiful.

 

Adam Lay Ibounden – by The Mediæval Bæbes

I don’t know if this technically a Christmas song, but I’ve heard it performed at Advent services leading up to Christmas. There’s nothing like a 15th century Middle English song with a hurdy gurdy whining in the background to get my creative juices going. In my current WIP, the fantasy world the characters travel to is very primitive, especially musically. Simple tunes sung with straight tones is very appropriate to get me into medieval-ish fantasy world mode.

 

Af álfum – by Frostrósir

I’ve got to put a non-English song in this list, of course (Old and Middle English don’t count). The Icelandic Christmas group/concert called Frostrósir (Frostroses) puts on a spectacular live show (in Iceland, of course), with a different cast and selection of songs every year. “Af álfum” (Of Elves) is a fun song that always makes me smile and perks up my mood if I’m down. I have trouble writing if I’m grumpy, so this song is a good pick-me-up.

 

The Lost Christmas Eve – by Trans-Siberian Orchestra

Trans-Siberian is Christmas music. Like a lot of their songs, it captures the magic and the mystery of Christmas, both in the music itself and in the lyrics. If I could write lyrics half this good, I could be a great poet or songwriter.

 

Does anyone out there have a playlist of Christmas songs for their writing?

NaNoWriMo

NaNoWriMo is two weeks away. What is NaNoWriMo, you ask? If you’ve been around the writing scene for any length of time, you probably know that it’s National Novel Writing Month.

Every November, writers from all walks of life sit down to write 50,000 words (basically a short novel). The idea is not to have a polished masterpiece ready for publication, but to just simply write.

As much as I’ve written over the course of my life, I’ve never participated in NaNoWriMo before. I’ve seen it all over Twitter and Facebook every fall, and my writer friends talk about how fantastic it is.

So this year, I’ve decided to do it. I’ve signed up on the NaNoWriMo site. I’m reading all the blogs and Twitter tips about how to get organized before I start, how to prepare my mind and my desk for this month-long writing blast.

Will this help me to manage my time and my writing throughout November? I don’t know. Can I come even close to pounding out 50,000 words in 30 days? No idea. Will it be challenging? I’m sure. Fun? I hope so.

If you’d like to join me in this endeavor, you can go to the NaNoWriMo website to check it out. If you’d rather just watch my progress (while either cheering me or shaking your head in disgust), stayed tuned to my Twitter feed during November. If you’d rather just ignore the whole big mess, feel free to do that too!

By November 30th, I might join with those who have been shaking their heads in disgust! Or, I might have the rough draft of book two of my fantasy trilogy finished. Time will tell!

Any veteran NaNos out there? Any newbies? Are you excited about the idea of writing a novel in 30 days, or scared stiff by it? Please share!

The Awesome Idea

Everything that’s ever been created or ever will be created starts with a thought.

Sometimes this idea starts like a tiny seed—just one small unassuming thought that grows and develops into a full-blown Awesome Idea.

Other times, the Awesome Idea hits full grown and the one doing the thinking is bowled over by the intensity of the beginning, middle, end, and solution all wrapped up in one package all at once.

I’ve had story ideas come to me both ways. Sometimes I’m inspired to write because I get the whole plot—or at least the rough outline—all at once. Even this full-grown Awesome Idea gets built upon, of course, as I write it down. (I have yet to think up a whole story—complete with every word in place, dialogue tags done, no mistakes—without actually writing it down first. Now that would be an Awesome Idea indeed).

But usually, the Awesome Idea for a story comes to me in bits and pieces, and I have a lot of work to do before I have something that’s concrete enough to even begin writing it down. A character, a loose concept, one word or one line, an image or a musical phrase that captures my mind—these little disconnected flitting thoughts are usually what I begin with. Then comes brainstorming, building, experimenting with combining two or more of these disconnected ideas to see if they could gel together to begin growing into the Awesome Idea.

For my current project, I can actually trace the Awesome Idea that is the trilogy I’m writing (hopefully it’s awesome!) to one exact moment, one specific kernel of an idea. It’s grown and changed, of course, and went from a stand-alone book to a trilogy. The setting moved from Russia to Finland, and my one main character was joined by a sizable supporting cast.

But it all began when I was watching a movie called Kautokeino-Opprøret (a Norwegian film; the title translates as The Kautokeino Rebellion). The movie is based on the true story of a revolt by indigenous Sami people against the encroaching government, in a remote village in Norway in the 19th century. There’s one scene where the Sami are combining their separate herds of reindeer into one giant herd, to prevent one particular woman’s reindeer from being taken by the government in payment for a fine.

A line popped into my head: what if an entire herd of reindeer just vanished? And thus was born The Vanished Reindeer, the first novel of my trilogy. I then enhanced that core of an idea with a small dose of Finnish mythology and a large dose of fantasy.

Just a reminder: I’m talking about the birth of an Awesome Idea. The final product—my novel—has absolutely nothing to do with the Norwegian movie, is not based on a true story, and is not intended to be a commentary about indigenous peoples or governments. But that’s where it started.

I’d love to hear your thoughts! Writers, artists, musicians, and creators out there—how do your Awesome Ideas develop?

Music video/trailer for Kautokeino-Opprøret, music by Sami singer Mari Boine:

Music Review: “Room,” Eivør Pálsdóttir

I’m neither a professional musician nor a professional music critic or reviewer. But I love music, and I’ve blogged about it before, so I’m trying my hand at writing a review of one of my favorite singers and her newest album.

Eivør Pálsdóttir hails from the Faroe Islands, a small island chain about halfway between England and Iceland. Her musical résumé is long and prolific, with more than ten albums (solo and collaborations) to her name. I’m a relatively new fan, but thanks to the internet, I’ve been able to hear a lot of her older stuff as well as newer music.

One of my favorite things about Eivør is her diversity in music styles—she sings everything from folk to heavy metal to lyrical ballads to world music with a tribal flair. Her newest album, Room, was just released a few weeks ago by Tutl Records. I would classify the songs on this album to be some folk-rock, some singer/songwriter style, and all with a unique Eivør twist. As a whole, this album is a beautiful showcase for Eivør’s clear soprano voice.

Similar to some of her previous albums (such as Larva and Human Child), all of the songs but one on Room are in English. “Eg Veit,” the Faroese version of the song “I Know,” is available on the digital download version of the album.

Poignancy, bitter-sweet sorrow, and loving remembrance characterize the songs. The death of her father came as Eivør was putting together Room, and she’s dedicated the album to him. The powerful and loving influence that he must have had on her life is evident in songs like “Far Away.”

While I generally dislike sad songs, no matter the subject or how well they’re sung, even the saddest songs on Room are far from depressing. Every song is tinged with promise and beauty—like the mournful song “Green Garden,” which repeats the hopeful “…waiting for the earth’s orbit to bring back spring.”

Although I’ve already picked my favorite songs of the album (“Green Garden” and “Rain” are at the top of my list), as a whole Room floats and shines like mist over an island in a cold sea. It’s well worth a listen.

Since this is supposed to be a writing blog, after a fashion, then what does this glowing review of a singer you’ve probably never heard of have to do with writing? Nothing, maybe—or perhaps everything. Writing a great song takes as much talent and work as writing a great novel or writing a great blog post. Eivør writes what’s in her heart, and she’s not afraid to share it with the world. The world is a better place because of it, too. And it’s something we can all do—write, share, and be inspired by the beauty all around.

Eivør’s website: www.eivor.com

“Rain” – acoustic version, live in the studio