Writers tend to think in metaphors, and have a penchant for turning non-literary stuff into something literary. And so because of that, a great many non-writing things in life can be held up as useful for the writing life.
I have recently begun taking square dancing lessons (you may laugh if you wish). I live in a small town, and square dancing is a big thing here. And with good reason – it’s a fun, family-friendly activity that people of all ages can do together, and it’s good exercise. I’m really enjoying it, and I’m learning a lot. And, because I’m a writer, I’m applying it to my writing life, too.
Dancing/Writing is not a Solitary Activity
While square dancing requires a minimum of eight people, writing tends to be something that one does all alone. And while it’s true that the act of writing is a solitary venture, getting a publishable book into the world is not. Ideally, a writer has critique partners or beta readers, an editor, perhaps a cover designer, and of course readers. Continue reading
Sometimes you just need a good picture to jolt your creativity or give you some ideas. Whether it’s a landscape, a city scene, a fantastical image, or some little detail that often goes unnoticed, studying pictures can help us bring richness and details into our writing.
One of my most popular posts on this blog lately has been this post about how to write technobabble. Apparently there are a lot of writers and creators out there who need tips and ideas on how to come up with convincing scientific or technological jargon that sounds real but isn’t.
So here are five tips to help you invent convincing technobabble words and concepts:
Do Some Scientific Research
The best technobabble has an element of truth or at least believability to it. If you’re writing an outer space adventure, then you should probably familiarize yourself with real astronomical terms and have a passing understanding of basic physics. If your spaceships are powered by cosmic strings, a lot of sci-fi readers will have a hard time buying the plausibility of that, despite your glowing technobabble terms. Continue reading
New, different, unexpected – these are the things we all want in a story, right? After all, if the story is too predictable, too much like all the others we’ve read, then why bother with it? While this is very true – both readers and writers are always looking for the unique element – I believe there is room for some degree of predictability.
First off, there is the conventions of the genre. This can be very broad, but I believe it’s the most important form of predictability. Readers pick up certain genres because they enjoy the conventions of that type of story. A reader of classic sword and sorcery will not be pleased to find space ships and vampires half way through the novel. Pick your genre/sub-genre, learn your genre, and gain an understanding of what some of the most common or popular elements are. The fantasy/paranormal sub-genre of vampire romance involves – you guessed it – vampires and romance. If your story is lacking these key elements, then it’s not a vampire romance. Continue reading
This post is for all you new writers out there – or for anyone who feels like they’re not an expert yet. That probably covers most everyone.
Since I’ve been blogging for a few years and I have a few books published on Amazon, I’ve had a number of people ask me questions about writing. Apparently, they view as an expert. Which I’m certainly not – but anyone who is a few steps further down the road can offer advice to those who are coming along behind, and so that is what this blog post is about.
So here are five questions that I’ve people ask me about writing and becoming a writer:
Should I write a book?
Do you want to a write a book? “Should I write a book?” is not a question that anyone can answer except you. If you feel that you have a story to tell, a message to communicate, or a part of your life that you want to share, then yes, you should write a book. Continue reading
I have several authors whom I list as my favorites, or as my greatest influences. I believe a lot of writers probably do the same.
A writer (or artist of any discipline, really) takes a little bit from every piece of work they read or experience. And that’s really the best way to learn. We learn to tell great stories by imitating other great storytellers.
Learning by Imitation
When we’re first learning, the imitation is often just that: a thinly-disguised copy of a favorite story or an obvious mimicry of another author’s style. And that’s okay, because we’re still in the early stages of learning and developing our own style. Our influences are more apparent. Continue reading