Tag Archives: Babylon 5

For Writing and Life: Who are You?

Posted in Babylon 5, Writings about Writing by

In the TV show Babylon 5 there are four questions that are central to the series’ theme, and that are asked by different characters throughout the story: Who are you? What do you want? Why are you here? Where are you going?

In this blog series, I want to cover each question individually – what it means to me, and what it means to you. If you’re a writer (or pursuing a creative passion of any sort), I think these questions are especially important.

As a writer (and reader) of fantasy tales, I believe that one of the strengths of the genre is to give us a new and deeper way of looking at reality. The best fantasy always points to the truth. And so, I ask this question:

     Who are you?

In the Babylon 5 episode “Comes the Inquisitor,” the character of Delenn is held prisoner by the Inquisitor who repeatedly asks “Who are you?” She quickly learns that the correct answer is not her name, her title, her family history, or her career.

Your name, your job, the different hats you must wear throughout your life – spouse, parent, leader, student – all of these help define what you are, but not who you are. If all of that were stripped away, and there was nothing left but you and your words, who would you be? This is not about what other people call you. What do you call yourself?

Your voice

As a writer, it’s important to know who you are. It is from this understanding of yourself that your best writing will come. This does not mean that you must write nothing but memoirs. Knowing who you are is what helps you to develop that indescribable yet vital aspect of writing: your voice.

I can’t give you a step by step guide to discovering your voice – if there even is such a thing. I’m still discovering my own voice. I have learned, though, that writing – as much and as often as you can – is the best way to develop your voice.

If you’re just starting out as a writer, it’s okay if your style and voice mimic that of your favorite author – that’s how we learn. Just know that even if you can spin a better tale than a famous author, if your voice is not your own, your writing will fall flat. Readers have an amazing ability – whether they can articulate it or not – to sense if a writer does not know who they are.

The right place at the right time

I believe that if a writer – or anyone – knows who they are and why they exist, then whatever they do in life will be impactful. “In the right place at the right time” is as much a matter of self-understanding and self-discipline as it is luck. A writer who has found their voice and writes from the heart will always be a powerful writer.

Every day I’m discovering more about who I am. I’m becoming more comfortable in my own skin, as a person and as a writer. I’m confident that I’m in the right place at the right time to live a fulfilled and happy life. I’m learning more and more every day that my writing matters, because I matter, and the people who read my words matter.

Who are you?

“How do you know the chosen ones? No greater love hath a man than he lay down his life for his brother. Not for millions, not for glory, not for fame. For one person. In the dark, where no one will ever know or see. … When the darkness comes, know this. You are the right people, in the right place, at the right time.” -Sebastian, “Comes the Inquisitor”

10 Quotes from Science-Fiction and Fantasy

Posted in Music, Movies, and other Muses by

We can learn a lot from fantasy and sci-fi. Sometimes we need to hear a truth come from the mouth of the Other, or to see our situations mirrored in a fantasy world. So here are ten of my favorite quotes about life from fantasy and sci-fi books, TV shows, and movies.

Some journeys take us far from home. Some adventures lead us to our destiny. –The Lion, The Witch, and the Wardrobe

A heart is not judged by how much you love, but by how much you are loved by others. – The Wizard, The Wizard of Oz

Words are, in my not-so humble opinion, our most inexhaustible source of magic. – Dumbledore, Harry Potter and the Deathly Hallows

Equality is the nullifier of individuality… Equality is the despot destroyer of self-worth. In a world of sameness, there can be no heroes. – The Watcher, “Earth X #3,” Marvel Comics

Who’s the more foolish? The fool, or the fool who follows him? – Obi-Wan Kenobi, Star Wars: A New Hope

Faithless is he that says farewell when the road darkens. – Gimli, The Fellowship of the Ring

‘Impossible’ is a word that humans use far too often. – Seven of Nine, “Hope and Fear,” Star Trek: Voyager

You doubt your value. Don’t run from who you are. – Aslan, The Voyage of the Dawn Treader

We all have a destiny. Sometimes we do not see it, because we have been taught to believe that we are not important. – Delenn, “Comes the Inquisitor,” Babylon 5

Suppose we have only dreamed, or made up, all those things – trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. … I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia. – Puddleglum, The Silver Chair

What is one of your favorite sci-fi or fantasy quotes about real life? Please share!

Storytelling Tips from Babylon 5: Fantasy Creatures and Alien Species

Posted in Babylon 5, Writings about Writing by

This is part of a series about storytelling techniques for epic fantasy. I’m drawing my examples from the 1990s sci-fi TV show Babylon 5. If you’ve never seen it, that shouldn’t affect the validity or usefulness of my storytelling tips. If you do want to see the show, you can probably find it on Netflix or the DVDs on eBay.

The plot of Babylon 5 was told over five television seasons and a few TV movies. Never mind the ‘90s hair and CGI that’s outdated by today’s standards. The story itself was a sprawling epic fantasy with a space-opera setting, a story that spanned thousands of years and dozens of characters. J. Michael Straczynski was the mastermind behind this dramatic tale of humans and aliens, ancient prophecies and futuristic empires, villains and heroes.

I’ve written a couple of posts about creating alien races and magical creatures for sci-fi and fantasy. This post is more of an analysis rather than instructional, but I think that if you’re struggling with your invented species in your story, this post can help clarify some thoughts in your mind.

I believe there are two main considerations to factor in when inventing a sentient race: qualities that make them non-human, and qualities that make them human. The non-human part is obvious – you’re using Elves or Wookies or talking trees because you want something Other in the story. Otherness can drive conflict, create wonder and exploration, and is an important part of world building.

Otherness – the non-human element

One of the most important alien races in Babylon 5 is the Minbari. The story begins 10 years after a brutal war between humans and Minbari, and relations are still strained. The Minbari are very much the Other.

Physically they appear quite human, except for the large elaborate bone on the back of the head. Also, several references are made to them being physically stronger on average than humans. Since they are very human-like in appearance, their Otherness mostly comes from their emotional behavior and mindset, and the culture in general.

Minbari pride themselves on the fact that they do not lie. Lying is – for better or for worse – a very consistent human behavior. So when the human characters are faced with blunt Minbari honesty or their elaborate logic strings to avoid telling a lie, it can cause confusion and tension. And confusion and tension of course are vital for character development and plot advancement.

The Minbari culture is based on rituals and tradition, and they have little interest in change. According to the world of Babylon 5, the Minbari were a space-faring race when humans were still writing on parchment by candle light. But 1,000 years later, their ships look the same and their level of technology has increased very little.

Despite how much humans can be resistant to change, as a rule we embrace it. New clothes, new technologies, new experiences. The idea of actively avoiding change in every area of life is not something we relate to well. An alien race that doesn’t even understand the concept of change makes for an interesting dynamic in a story. As the character of Delenn (a Minbari) remarks to John Sheridan: “Curious thing about humans – Minbari cities remain untouched and unchanged for centuries. I leave for three days, and you redecorate.”

Similarity – the human element

The human aspect of your non-human fantasy race is, in my opinion, just as important. Giving your aliens some kind of humanizing element gives your human characters something to relate to. And of course never forget that your readers are human.

In Babylon 5 the Vorlons are perhaps the most alien of all the fantastical creatures – in appearance, behavior, and culture. I picked them, though, to illustrate the human elements because even the mysterious Vorlons have something in common with humanity.

Physically the Vorlons appear as beings of light and can manifest many different ways. In this regard they are most certainly Other. However, as mysterious and powerful as they are, they are still mortal. Just like humans, they can die; and just like us, they fear death and loss, and grieve for those who are gone. Death is a powerful equalizer, and this brings an important human element to this extremely Other race.

While traditions and cultural rituals are not revealed to the characters or audience, the Vorlon racial mindset and belief system is explored. The Vorlons hold fast to the belief that they are always right, and that because they know more than others do, that must mean that they know everything.

A superiority complex is something that we humans almost universally detest – and, on a large and small scale, we continue to practice. Most people can probably identify with both sides of the “I am always right” dilemma. As alien and Other as the Vorlons are, their fear of death and their desire to be right gives a way for humans – characters and audience alike – to understand and appreciate them.

Babylon 5 explores the similarities and differences between humans, Minbari, and Vorlons in great depth. The two main characters of the series are John Sheridan and Delenn – a human and a Minbari. They fall in love and get married, which of course adds another element to any cultural confusion they encounter. The Vorlon character Kosh serves as a mentor and guide for Sheridan and Delenn.

Your story does not have to have a romantic relationship, or a mentor/protégé relationship. But the closer the characters from different races are, the more opportunities you have for developing the Otherness and the Humanity of your fantasy people.

“We are all born as molecules, in the hearts of a billion stars… Over a billion years, we, foolish molecules, forget who we are and where we came from. In desperate acts of ego, we give ourselves names, fight over lines on maps, and pretend that our light is better than everyone else’s.”
 – Delenn, “And All my Dreams, Torn Asunder”

10 Quotes for Writing and Inspiration

Posted in Writings about Writing by

I collect quotes. Quotes about writing, about life, quotes from books and movies, quotes from real people. So today I just thought I’d share a few of my favorite quotes. I hope they bring you some inspiration or deep thoughts. And please feel free to share one of your favorite quotes in the comments!

A stroke of the brush does not guarantee art from the bristles. – Kosh, Babylon 5

What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past. – Terri Windling

Composer, sculptor, painter, poet, prophet, sage: these are the makers of the afterworld, the architects of heaven. The world is beautiful because they have lived; without them, laboring humanity would perish. – James Allen

Do or do not. There is no try. – Yoda, Star Wars: The Empire Strikes Back

If a nation loses its storytellers, it loses its childhood. – Peter Handke

Not all who wander are lost. – J.R.R. Tolkien, The Fellowship of the Ring

Always remember there are only two kinds of people in this world – the realists and the dreamers. The realists know where they’re going. The dreamers have already been there. – Robert Orben

Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way. – E.L. Doctorow

A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged, the greatest wizard Earthsea has ever known? –Jane Yolen, Touch Magic

I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of. –Joss Whedon

Storytelling Tips from Babylon 5: Ending an Epic

Posted in Babylon 5, Writings about Writing by

This is part of a series about storytelling techniques for epic fantasy. I’m drawing my examples from the 1990s sci-fi TV show Babylon 5. If you’ve never seen it, that shouldn’t affect the validity or usefulness of my storytelling tips. If you do want to see the show, you can probably find it on Netflix or the DVDs on eBay.

The plot of Babylon 5 was told over five television seasons and a few TV movies. Never mind the ‘90s hair and CGI that’s outdated by today’s standards. The story itself was a sprawling epic fantasy with a space-opera setting, a story that spanned thousands of years and dozens of characters. J. Michael Straczynski was the mastermind behind this dramatic tale of humans and aliens, ancient prophecies and futuristic empires, villains and heroes.

I don’t know if there are hard and fast “rules” for writing the conclusion to an epic story. And I have no personal experience in doing so myself, since at the time of this writing, I’m still in the first draft stage of book two of a trilogy.

I have ended individual stories before, and I know that can be challenging. Beginning an epic is sometimes easy by comparison to ending a long tale, but it can be done well. Here are a couple of elements that I’ve observed in well-concluded epics.

Tying up loose ends

This is the most important element to ending most any kind of story, in my opinion – unless the point of your tale is to leave readers with more questions than answers.

Because of its length, and its multiple sub-plots and side threads, an epic’s conclusion can often be relatively long. In Lord of the Rings, several “endings” were gone through before the actual conclusion of Frodo leaving for the Grey Havens and Sam returning to his family.

Similarly, Babylon 5 had several moments when the series could have ended: the ending of the Shadow War in “Into the Fire,” the liberation of Earth in “Endgame,” or the thoughtful, time-spanning fourth season finale “The Deconstruction of Falling Stars.” But there was still more story to tell, and many questions still open.

Yes, even after the series’ conclusion, some details went unanswered. What was Lennier’s ultimate fate? What happened to David Sheridan and the Keeper that Londo left for him? Whatever happened to Lyta? But despite these small hanging details, all of the plot lines were brought to a close – all of the sub-plots, and the main plot of war encroaching on peace.

A sense of conclusion is important for an epic, I believe. Even if there’s room for more story, the main plot has reached an end and the goal has been accomplished. In Babylon 5, the wars are won, and a new era of peace has been ushered in. The tale of war, for now, is over.

Saying Goodbye

This is another important element in concluding an epic fantasy tale. Epics frequently feature a large cast of characters, many of whom are thrust together for the duration of the plot. By the end, some characters may be dead, and all of them have been changed.

It may be appropriate for the story for the characters to return to their lives that were interrupted by the main plot (such as happens in the Lord of the Rings). Or it may be that the characters need to move on to new lives, now that the adventures of the main plot have changed them (this is the case in Babylon 5).

Some characters part on friendly, tearful terms, excited about their new lives – like Sheridan and Delenn’s goodbyes to Garibaldi and Lochley. Other characters part with less joy and hope, because of who they have become during the course of the story: Lennier’s parting with Sheridan and Delenn, or Lyta’s parting with the entire cast.

Spending some time with partings and goodbyes is important for the reader, too, not just for the characters or for the sake of plot. In an epic tale, the reader (or viewer) has spent countless hours and hundreds of pages falling in love with the characters and their world. Goodbyes within the story give the audience a chance to say goodbye, to find closure and contentment in knowing the final path of the favorite characters.

The final fifth season episode of Babylon 5 – “Objects at Rest” – is all about partings and goodbyes, as the characters leave the Babylon 5 space station that had been their home and the crux of the plot. The series finale “Sleeping in Light” – which takes place twenty years after the plot of the series – is the ultimate of goodbyes.

At the end of Lord of the Rings, both the characters and the reader experience the conclusion of a final farewell as the main protagonist Frodo says goodbye to the other characters and to the main world of the story. Likewise, Babylon 5 ends with the main protagonist Sheridan saying goodbye to the other characters, the world of the story, and the audience. Both are bittersweet, but quite conclusive endings.

Never underestimate the power of a well-presented farewell to wrap up an epic story. What is one of your favorite epics and how did it end?

“Every part of this station has somebody’s fingerprints on it, layers and layers of people’s lives. There were times I thought none of us would get out alive. Some of us didn’t. But we did everything we said we were going to do, and nobody can take that away from us.” – Zack Allen, “Sleeping in Light”