Someone asked me recently about where a writer should draw the line between explaining something in painstaking detail versus just glossing over a topic and letting the reader try to figure it out on their own. It’s a complex question, really, and there isn’t a one-size-fits-all answer.
What was really interesting, though, was that right on the heels of this question, I had an experience in my critique group that not only did NOT answer that question, but highlighted how there truly isn’t a right or wrong answer.
First off, let me say that I absolutely love all of my critique partners, and our times together are full of valuable feedback, learning experiences, and lots of fun. One of the elements that makes a good critique group, I think, is having a diverse group of writers who all have different writing styles, favorite genres, and writing experiences. Continue reading
Lately I’ve realized something in my reading and writing habits: I like happy endings. This is not a new realization, really, but I started thinking about it recently in a new and deeper way.
As a kid, I loved Disney movies and similar stories, where everything was tied up in a neat little bow and they all lived happily ever after. I didn’t like feeling sad, and so I sought out happy stories with happy endings.
As an adult, I still like happy stories with happy endings—but there’s more to it than that. It’s not as much about everything ending on a perfect tidy note, but more about ending on a strong or redemptive note. Continue reading
For anyone who follows this blog, and/or is wondering what I’ve been up to of late, here it is in a short summary: not writing.
I’ve missed several weeks of blogging here and there over the past few months, and I’m embarrassingly behind on my writing goals for my current dieselpunk series. So it’s more “other shenanigans” rather than writing that I’ve been doing this summer. Continue reading
Writers tend to think in metaphors, and have a penchant for turning non-literary stuff into something literary. And so because of that, a great many non-writing things in life can be held up as useful for the writing life.
I have recently begun taking square dancing lessons (you may laugh if you wish). I live in a small town, and square dancing is a big thing here. And with good reason – it’s a fun, family-friendly activity that people of all ages can do together, and it’s good exercise. I’m really enjoying it, and I’m learning a lot. And, because I’m a writer, I’m applying it to my writing life, too.
Dancing/Writing is not a Solitary Activity
While square dancing requires a minimum of eight people, writing tends to be something that one does all alone. And while it’s true that the act of writing is a solitary venture, getting a publishable book into the world is not. Ideally, a writer has critique partners or beta readers, an editor, perhaps a cover designer, and of course readers. Continue reading
This post is for all you new writers out there – or for anyone who feels like they’re not an expert yet. That probably covers most everyone.
Since I’ve been blogging for a few years and I have a few books published on Amazon, I’ve had a number of people ask me questions about writing. Apparently, they view as an expert. Which I’m certainly not – but anyone who is a few steps further down the road can offer advice to those who are coming along behind, and so that is what this blog post is about.
So here are five questions that I’ve people ask me about writing and becoming a writer:
Should I write a book?
Do you want to a write a book? “Should I write a book?” is not a question that anyone can answer except you. If you feel that you have a story to tell, a message to communicate, or a part of your life that you want to share, then yes, you should write a book. Continue reading
What is a narrator? A narrator is someone who tells a story.
In literary terms, a narrator can be “I” – called first person point of view. To borrow the first line from a classic Gothic romance novel, an example of first person narration would be “Last night I dreamt I went to Manderly again.” (from Rebecca, by Daphne Du Maurier)
A third person point of view narrator is someone else telling the story. This is either a character written as he/she/they (not “I”), or an outside onlooker relating the tale (as when a story begins with something like “Listen, dear reader, and you shall hear a tale…” Continue reading