Tag Archives: creative writing

The ABCs of Writing

Posted in Writings about Writing by

WA while back I wrote a post featuring the ABCs of Fantasy Writing. For this post, I thought I’d branch out and do some ABCs for writing in general. Feel free to add your own words or ideas for different letters, and let me know in the comments!

A – Amazon. The place where everyone should have their book listed for sale.

B – Books. Duh.

C – Characters. What kind of story would you have without any characters?

D – Dialogue. When writing dialogue, don’t be afraid of using the word “said.”

E – Edit. Every book, regardless of length, genre, or talent of the author, needs a good edit. Probably several. And at least one round of edits done by someone other than the author.

F – Fans. That loyal following who will keep buying your books.

G – Genre. Even though mixing and crossing genres is very popular, most books still should fit into a broad genre like women’s fiction, fantasy, or non-fiction.

H – Hashtags. If you use Twitter (which you should be if you’re an author), then hashtags like #amreading, #amwriting, and #PitchWars can be very useful for getting yourself noticed.

I – Idea. All writing comes from an idea. Inspiration (I could have used that for my “I” word) can come from a picture, a single word, an event, or anything else. Without ideas and inspiration, there’s nothing to write.

J – Journal. Many writers find journaling to be very beneficial. It’s good for brainstorming ideas, documenting feelings and events for potential later use in a book, and just keeping the writing muscle active every day.

K – Keep going. If you’re frustrated with writing, keep going. If you got rejected by agents or publishers, keep going. If you’re stuck, keep going.

L – Love. Let’s face it – writing can be hard, tiring, sometimes thankless work. Most people who write – and especially those who have reached a level of success of some sort – do what they do because they love it.

M – Magazines. Getting stories or articles printed in a magazine – whether a commercial newsstand mag or a literary journal – can be a great way to get started with a writing career.

N – NaNoWriMo. This stands for National Novel Writing Month, in which people spend the month of November writing a full novel. If you’ve never participated in NaNoWriMo, give it a try one year – it’s fun and a good writing exercise, even if you don’t “win” it.

O – Outline. I know there are a lot of pantsers out there who write by the seat of their pants (hence the term “pantser”) and don’t use outlines. There’s nothing wrong with that, but even a rough outline can help keep your story on track. If you’re writing non-fiction, an outline is pretty much a must.

P – Plot. Even literary fiction that is more character-driven has some sort of plot. Nobody wants to read a story in which nothing happens.

Q – Question. To me, this goes along with “idea” and “inspiration.” I think that pretty much every story concept begins with some form of the question “what if?”

R – Reading. This is what we hope that people will do with our books. And as writers, we should be readers, too.

S – Social Media. Every author should have some kind of presence on social media. You don’t have to maintain a profile on every single social media site and join every new one that comes along. Start with a blog and a professional Facebook page. If you’re not using at least a little bit of social media, it will be that much harder to gain a following.

T – Thinking. Writers are thinkers. I often have a whole scene – dialogue and everything – worked out in the head, so then all I have to do when I get home is write it out.

U – Understanding. This is related to thinking, but to me thinking is a more purposeful, active word. Understanding can come with or without prior thinking, and can sometimes be hard to put into words (a frustrating thing for a writer). You can apply the word “understanding” to any part of the writerly journey.

V – Voice. That elusive yet definitive thing that makes your writing uniquely yours.

W – Writing. Duh.

X – Cutting. As in “x” something out. The editing process is frequently more cutting than anything else. That’s where I am with one of my novels – I’m saying goodbye to many passages, bits of dialogue, and whole scenes.

Y – Yay! Okay, sort of a lame word for “y,” but it’s a feeling that’s important to a writer. Celebrate your successes – even if it’s just finishing a scene.

Z – Zeal. Writing is a labor of love, as I pointed out in the letter “L.” But more than just love, I think approaching your writing with zealous excitement can go a long way towards keeping your motivation high.

The Color of Creativity

Posted in Music, Movies, and other Muses by

So I recently dyed my hair blue. Actually, my hair stylist did it, and a good thing, too. There’s no way I wanted to have at my own hair with bleach and a tube of dye. Anyone who follows me on Facebook (either my personal profile or my writer’s page) has probably seen a picture or two. So for those of you who haven’t seen me, here’s a picture:

My hair stylist rocks

My hair stylist rocks

The question I’ve gotten the most is, of course, “why?” Some have jokingly muttered about kids these days, and some have asked with genuine surprise and curiosity about what prompted such a radical and dramatic change.

My primary answer is that I thought it would be fun. And that’s true! I wear clothes I enjoy and jewelry I enjoy, so why not do something fun with my hair, too? I feel a bit like a fairy tale creature when I glimpse myself in the mirror, which just adds to the coolness factor. As a fantasy writer, it’s a special kind of fun going around feeling like a character in a story.

After a week of questions, comments, and a few silent disapproving looks, I started wondering if I had some deeper, darker reason for coloring my hair. Was I actually deeply and subconsciously distraught and this was my way of calling out for attention? Was I feeling stifled and blue hair was my way of rebelling? After wrestling with a lot of self-doubt (I’m so talented that I can have self-doubt about lots of other things in addition to my writing!), I concluded that I was not, in fact, mentally disturbed. All I wanted to do was dye my hair blue.

This got me thinking about stereotypes. Not everyone who wears goth makeup, is covered with tattoos and piercings, or has strangely-colored hair is dangerous or disturbed. (Please note – I am not putting down these different styles, and I’m certainly not belittling anyone who dresses a certain way because they’re searching for help.) Yes, the reason that stereotypes develop in the first place is because of the common traits within a grouping. But I know many people who do not fit their stereotyped group, and perhaps now I am one of them.

I colored my hair because I’m creative and artsy, and I decided that it was time for my outward appearance to reflect that. A couple of people expressed to me that with blue hair I would not look professional – which is true if I were trying to fit in the corporate world. But I am a professional writer and social media entrepreneur (or at least working my way towards that), and in that realm, blue hair is just as “professional” as any other color or style.

So maybe I did have a deeper reason for dyeing my hair, after all – to show the world that sometimes negative stereotypes can be wrong, and that blue hair is nothing more than just another color of creativity.

The Longest Short Story Ever

Posted in Writings about Writing by

 

Six months ago I started writing a short story. To me, this is a very long time for a short story. I’m accustomed to working on a novel for years, because a novel by its very nature is a long-term commitment. But with short stories, I’ve always handled them one of two ways: finish it in weeks or even days, or not at all.

This particular short story I launched into with exceptional enthusiasm, because it was the inaugural story for a new fantasy world (different from the world of the fantasy novel trilogy I’ve been working on for years).

I had the whole plot worked out, had my cast of characters, knew the ending scene. I had the rules of magic and other world-building essentials already sorted out, because this was a revamping of some fantasy stories and a world I’d created as a kid. Basically, all I had to do was type up a few thousand words. So what happened?

Two things: life, and losing my focus.

The life bit wasn’t a bad thing. There were some changes – good ones – at my jobs, some opportunities came my way for some paid writing, and other stuff. I was excited about all of these changes, but the upshot was that a few months ago my life got suddenly busier and a lot more hectic. So with all of that, plus the novels I was plugging away at and this blog, the short story got pushed to the bottom of the pile.

The main problem, though, was simply that I lost my focus. I blogged at the beginning of this year about how I was going to take my fiction writing more seriously. I’ve been doing the bare minimums (keeping up with submitting installments of my novel to my critique partners, and keeping this blog going), but that’s it. But to be successful – or even to finish something – requires more than bare minimums.

And so, I finally got my rear in gear, I refocused, and I wrote a few thousand words and finished that short story. It’s been a long, rough road – that unfinished project, all mapped out and ready to go but still not done – was starting to really weigh on my mind. There’s nothing like the stress of an unfinished project.

So what did I learn from this long road to a short story? I learned that without focus and intentionality, even the shortest bit of writing can get pushed down in priority and left unfinished. I learned that all it takes is a little discipline to keep a short little tale from becoming a six-month headache.

I learned that if I want to be a writer, then all I have to do is write.

Live Forever

Posted in Travel Writings by

Last month I submitted a short vignette to a writing contest. This contest was put on by the Iceland Writers Retreat, and the grand prize was a free ticket to the conference in April. I did not win (*sob*) but I’m glad I participated, and I send all congratulations to the winner. (You can read the entries by the winner and the two runners up here – which I encourage you to do, after reading my post here, of course).

The rules were simple – write 500 words inspired by an image of the Harpa Concert Hall in Reykjavik. I won’t put their image in my blog post, of course, but I will give you a similar image that I took when I was in Reykjavik a couple of years ago (too long ago! I need to go back!)

Anyway, here’s my little piece, and a lovely picture of Harpa to go with it. Enjoy!

 

Live Forever

“If anyone is suicidal, they should come here,” he says to me.

“What?” I turn from the view of the bay and stare at him. “You are so insensitive.” It’s been a few years since my cousin died, but still…

“I am not. I mean, my God – just look.” He waves his hand at the vista before us.

A fierce wind is blowing, turning the water into a basalt gray; mere moments ago it had been a rosy yellow like the sky. I know it’s a fierce wind because I see the boats jumping on the water, but we’re safe inside this concert hall of glass. No, it’s more like crystal. Great blocks of manmade crystal, all glass-smooth, put together like a giant puzzle. Stairs, walls, ceilings – you can see through everything. It’s half mathematical wonder, half art masterpiece.

“We may be a hundred feet up, but it’s not like anyone could get through this,” I say finally, laying a hand against one of the clear cubes of the wall. “And I didn’t see any balconies on this place.”

He looks at me. “Now who’s being insensitive?”

“You brought it up.” The sky is turning white with clouds. I’m glad I wore my thicker boots today – by the time we leave, it might be snowing.

“So?”

“So, you just…oh, never mind. You’re a jerk sometimes, that’s all.”

I expect him to get huffy – or maybe just laugh off my insult, which is more annoying than when he gets huffy. But instead, he does neither.

My hand is still pressed against the cold glass wall, and he suddenly covers my hand with his. “I’m not being a jerk,” he says quietly. “Don’t you see it?”

I look at him. “See what?” I ask.

“This. Everything.” He grips my hand. “Stop being so pragmatic for just a minute. Stop thinking about how we’re probably going to get caught in a snowstorm, or how much our coffees cost earlier, or how a jumper could actually get outside this building so they could fall to their death in the water.”

He’s never talked like tHarpahis before. His face is strangely bright in the gray light coming through the glass. I want to ask him what he’s talking about, but suddenly I don’t know what to say.

“If anyone is suicidal, they should come here,” he says into my silence. “The water, the sky, the mountains, the light… There’s too much beauty, and you feel like you’re on top of the world. There’s no way you could end it all here, no way you’d want to anymore.”

The snow starts, tiny crystal flakes dancing just past our fingertips. The overcast grayness has suddenly brightened into joyful white light. Now I understand him.

“If anyone came here wanting to die,” I whisper, “they’d realize that they could live forever. And that it would be beautiful.”

Worldbuilding: The Why before the How

Posted in Writings about Writing by

I’ve written several posts about world building for fantasy and sci-fi, but on this post I want to come at it from a slightly different angle. What’s more important than the how-to of putting together a new society or creating an alien race is why. Why do you want an alien species that can live on the surface of a sun? Why do you want steampunk airships powered by magic spells instead of gas or steam?

The coolness factor aside, what I’m talking about is getting you to look at the bones of your story and your world. Cultural habits, societal structures, technology and industry, animals both wild and domesticated – all of these elements of life are the way they are for a reason. It may not always seem logical or even right – like in the case of a society’s sense of fashion – but it still fits within the context of the larger world as a whole.

For example, in The Chronicles of Narnia, the Talking Beasts are more than just cute anthropomorphized animals to make the story appealing to children. Even if they originally started out that way, C.S. Lewis develops the Talking Beasts into their own culture. The reason for the existence of this fantasy culture is revealed throughout the stories. In Prince Caspian, the children encounter a bear who had once been a Talking Beast, but after living like a wild animal for too long, he lost the blessing of his speech and intelligence. In The Silver Chair, the giants kill and eat a Talking Stag, which solidifies the giants as the enemy in the minds of the characters and readers alike. It is not until the sixth book of the series, The Magician’s Nephew, where Lewis addresses the creation of the Talking Beasts as Aslan sets them apart from regular animals in order to live out a unique purpose in the world.

The how of fantasy worlds can be important – and the how is even more key in science fiction. But if there’s no reason within the continuity of the world or the story for something to exist, it will probably come across to readers as feeling contrived. What if C.S. Lewis had put the hrossa or the sorns of Mars from his sci-fi book Out of the Silent Planet into the world of Narnia? Those two Martian races are beautiful, gentle, intelligent creatures – but they aren’t Narnians. He designed them to live on a lush, cool, low-gravity planet, not a magical representation of Earth. As fantasy creatures, they’re every bit as engaging as any of Lewis’ creations – but he had his “why” in order in his mind, and so did not have to contrive some illogical reason to explain “how” the Martians were in Narnia.

A word of caution, though – it is not necessary for there to be a lengthy explanation of all the whys and reasons behind the creatures and customs. As in my Narnia example, all of those details were worked into the story itself.

I know it’s tempting, after you’ve gone to so much work to create this elaborate world, to share every little detail and bit of backstory. If a detail can be worked into the story without pulling the reader out of the plot and into a textbook, then do it; otherwise, it will have to live only in your head.

But the important part is that it’s there. You as the author must know and understand all these whys and details. Even if you don’t write it out in words, an astute reader is able to tell when a writer understands their world or not. Don’t hesitate to let your creativity flow while you’re building your worlds. Map out all the how’s and explanations of societal structures, magic, technology, and creatures. Just don’t forget to ask yourself why.